Day: December 8, 2025

  • Horror actually being recognized !? Weapons get some nods

    Horror actually being recognized !? Weapons get some nods

    In a year packed with big shiny titles like Wicked: For Good and all the usual awards bait, Zach Cregger’s WEAPONS quietly kept doing its thing… and now it just muscled its way into the Golden Globes conversation. The film landed two #GoldenGlobes nominations:

    • Cinematic & Box Office Achievement
    • Best Supporting Performance in a Motion Picture – Amy Madigan (Aunt Gladys)

    Not bad at all.

    Amy Madigan has been creeping up on every horror fan’s radar this year as a full-on horror icon, and now the Globes have stamped that in ink. She even said she was “incredibly moved” to be recognized for Aunt Gladys and for the film’s box office nod – calling it a testament to Zach Cregger’s vision and the whole team that built this terrifying character.

    Will it actually win? Who knows. But the fact that this twisted, grief-soaked horror movie about missing kids and one nightmare aunt is standing next to the “serious” films is unbelievable. Even if it walks away empty-handed, WEAPONS and Aunt Gladys are getting the attention they deserve.

  • Singing Sick em on a Chicken while hell opens

    Singing Sick em on a Chicken while hell opens

    Zac Brown just found himself in the middle of a very 2025 kind of controversy. His new Love & Fear show at the Las Vegas Sphere opens with fire-and-brimstone visuals, a descent-into-Hell sequence, and Brown onstage in imagery some viewers swear looks “demonic” or “satanic.”

    Country fans shocked and stunned..

    It is reported that the whole thing is meant to be a personal, cinematic journey through the darker and lighter corners of his life, but clips started circulating online with people calling it a “satanic ritual” before the first weekend was even over. Brown has said the show is about pain, redemption, and resilience, but the internet heard “Hell visuals” and ran with it.

    The backdrop to all of this is the Sphere itself, which is basically a giant sci-fi eyeball dropped next to the Strip. It’s a 366-foot-tall, 516-foot-wide dome covered in LEDs on the outside and lined with a 16K-resolution wraparound screen and 160,000 speakers on the inside, built specifically to melt people’s senses with immersive art and sound. It can turn into a moon, an eyeball, a planet, a lava ball—whatever the artist wants—and inside, the screen stretches over and around the audience so the visuals feel less like “stage background” and more like being dropped into a movie.

    Once the Zac Brown clips hit social media, reactions split instantly. Some country fans thought it was the coolest thing he’s ever done, praising the high-concept story and calling it his most ambitious project. Others, especially folks looking at it through a religious lens, saw the Hellscapes, angels, and cosmic chaos and declared it proof that mainstream concerts have gone fully “demonic.” At the same time, the controversy has done what controversy always does: boosted curiosity, headlines, and—by all early accounts—ticket demand for the Love & Fear dates.

    This is still the Zac Brown Band we’re talking about—the same crew with songs like “Sic ’Em on a Chicken” in their catalog. So picture it: people online saying there’s a portal to Hell open in Las Vegas while thousands of fans inside the Sphere are singing along to a band best known for chicken, toes in the water, and island drinks. That’s the irony of modern outrage culture in one scene, golks convinced they’re witnessing a satanic ceremony..

    Country has sure gone to hell indeed..