Now released in the U.S. available on VOD and DVD, the psychological horror stands out in no small part because of its somewhat protracted production (almost 15 years), and also its director: a Getty oil heir who died at age 47 before seeing the film completed, becoming another chapter in his family’s tragic history.
The story may seen standard genre fare: a mentally challenged boy has his dreams haunted by demonic creature who orders him to embark on a murderous rampage, collecting the bodies in his basement.
But for Andrew Getty — grandson of J. Paul Getty — his first and only feature wasn’t just a passion project; it was something borne from his own powerfully twisted nightmares.
Another horror movie that has a message within – ‘GET OUT’ style movies are coming.. Messages within horror to showcase how life is really scary even without supernatural monsters..
Jack Roth (son of Tim Roth) stars as “an ordinary working class kid who is tired of the rough deal he faces. His plan? To start a revolution by streaming attacks against the one percent on the web. His goal? To terrify the elite into bringing about chance. His plan spirals out of control when he holds a banker and his family hostage and forces them to gamble for their lives.”
The cast also includes Sophie Colquhoun, Tim Bentinck, Carolyn Backhouse, Andrew Tieran, Daniel Kendrick, Paul Westwood, and Louis Dempsey.
John Carpenter: Live Retrospective, 8 p.m. Saturday at the , Keswick Theatre, 291 N. Keswick Ave., Glenside. Tickets: $29.50-$65. Information: 215-572-7650, keswicktheatre.com.
He is spending time this summer driving around, playing hits from his past films and new music from his two recently released albums:
A much larger proportion of the electorate is terrified of a Donald Trumppresidency, of course. This alarm has led to protests of all kinds. One image circulated on Facebook depicts the “Make America great again” huckster as one of the mossy-colored, skull-exposed aliens from John Carpenter’s They Live. Below this monstrous caricature is a caption that will be familiar to fans of the horror film: OBEY.
This caricature, like Hillary Clinton’s address in San Diego, offers a small catharsis for those of us who find Trump’s running for office to be a prolonged and baffling ordeal – a serrated cornucopia of unchecked authoritarian aggression, most obviously embodied by his obsession with dictatorial regimes and attending hatred for non-white, non-male citizens as well as the press and judicial systems. (Imagine what the hypocritical Republican hate machine would say about a Democrat who praised Russian president Vladimir Putin.)
Debate away.. the political spectrum is filled with vibrant colors on both sides.
But one thing Bowen writes struck me:
They Live was released in 1988, following a couple of likeably macho salt of the earth types (played by Roddy Piper and Keith David) as they discover that the upper class of society are alien monsters lulling us into a stupor with pop culture, exploiting us and polluting our planet while living the high life. Change the size of the TV sets, gingerly sprinkle the phrase “1%” into the dialogue, digitally insert cell phones into the characters’ hands, have a few extras snapping selfies in the background and They Live could pass as a story of the present day.
They live was one of the best movies ever made.. There have been a lot of candidates for ‘they live’ cred long before Donald Trump emerged from the stairway in the same style the SIMPSONS predicted he would ..
Bowen goes on to name other films in recent horror memory, like THE PURGE..
Horror and pop culture.. they go together so well.
I have often written that horror movies encapsulate the moment in time they were created.. Perhaps a Trump movie is in order. To be fair, maybe Hillary should be in it too. And the victor in the end? Gary Johnson! Ok that can only happen in the movies.
