40 years later, Roman Polanski’s rape of then 13-year-old Samantha Geimer, is speaking out about how her life and her ordeal has become an endless issue of debate and controversy.
She told TMZ:
I don’t like being used by advocates boycotting that he’s going to be the president of the César Awards, people make a petition without my consent. What happened to me is, sadly, common — however, not the end of the world, and I’m sure I would have been fine, and I was fine, but nobody wants me to be fine … I continue to be asked to be a victim so people can use my experience, change it, make it worse, dramatize it for their own agendas … I’m not a victim anymore, I can speak for myself, I don’t want to be used
It’s alarming to consider this fact: NIGHTMARE 3 (perhaps the best of the entire series) is 30 years old.. I recall this film being in theaters as a small child.. I recall watching the trailers for NIGHTMARE 4 on TV and my grandmother would angrily shut the TV station off…
Yes.. the memories.
And now these new figures are going to increase the nostalgia..
Norma McCorvey, whose legal challenge under the pseudonym “Jane Roe” led to the U.S. Supreme Court’s landmark decision that legalized abortion but who later became an outspoken opponent of the procedure, died Saturday. She was 69.
McCorvey died at an assisted living center in Katy, Texas, said journalist Joshua Prager, who is working on a book about McCorvey and was with her and her family when she died. He said she died of heart failure and had been ill for some time.
Peele is giving us the social commentary horror film GET OUT. If you did not hear about it yet, you will. In “Get Out,” a young black man (Daniel Kaluuya) finds himself in a very messed up situation —actually a massive understatement — when he goes out to the country to visit his white girlfriend’s (Allison Williams) family. We won’t give anything else away, but if you’ve seen the trailer, you can get a hint of how Peele created a unique chiller that explores real ideas and attitudes about race, some of them quite ugly.
But he won’t be done with that movie, apparently.. more are coming.
From Jason Guerrasio:
But this is far from a one-and-done for Peele. He recently told Business Insider that “Get Out” is the first in a collection of movies he wants to direct that examine what he calls “social demons.”
“I have four other social thrillers that I want to unveil in the next decade,” Peele told Business Insider. “The best and scariest monsters in the world are human beings and what we are capable of especially when we get together. I’ve been working on these premises about these different social demons, these innately human monsters that are woven into the fabric of how we think and how we interact, and each one of my movies is going to be about a different one of these social demons.”
Peele’s examination of race and alienation in “Get Out” is an impressive, confident directorial debut. We can’t wait to see what he will throw at us next, though we’re also pretty afraid.
Australian movies are often so much more real, brutal… startlingly hardcore to the core.. This movie seems the same. For as much lavish praise that the film is getting, it is also receiving this:
Critics have been quick to praise the fact that the violence in Killing Ground(although brutal) is never exploitative, something Power attributes to his time as a censor. “I’ve definitely had a long professional interest in how we watch violence. I wanted to make sure it wasn’t just a violent film but a film about violence and what violence does.”
Power feels movie violence is often — wrongly — presented as a heroic option.
“I wanted the film to ask the question ‘What would happen in real life? What would actually happen if I was faced with this threat?’ Because the answer is often different to what happens in the movies. This violence feels very real and I think that’s what people are responding to.”
I think back to one of the most famous Aussie films in my life: FORTRESS. As a kid, and to this day, that movie scared the wits out of me more than anything made in America.
This new movie seems like to could be the same:
What sets Killing Ground apart from other thrillers is its unconventional structure. The film intertwines three separate stories, seemingly in different times and spaces: Two lovers on a weekend getaway; a family in peril and a pair of redneck psychopaths baying for blood.
Ivan Koloff, knowing among wrestling fans as “The Russian Bear,” has died. He was 74.
Koloff had been battling liver cancer and was in need of “urgent medical care,” according to a Go Fund Me page set up by his daughter, Rachel Marley, on Feb. 2.
“My dad was diagnosed with liver disease about 10 years ago and while he has been living with it, he chose not to make this announcement public to his fans and friends,” she wrote. “But doctors are now saying that his liver function is getting worse day by day and it will continue to. There are no other medical options available for my dad for a cure. ”
Another robot has died in the depths of one of Fukushima’s nuclear reactors, as attempts to locate and remove melted radioactive fuel continue. This is the second robot in two weeks to meet its end in the Fukushima Daiichi nuclear power plant in Japan, the site of a major nuclear accident caused by the devastating 2011 earthquake and tsunami.
The robot’s mission was to investigate the pedestal underneath the Unit 2 nuclear reactor, where melted nuclear fuel is suspected to have fallen. But about 10 feet away from its target, one of the robot’s tank-like treads got stuck, World Nuclear News reports. Tokyo Electric Power Company (TEPCO), which operates the plant, decided to cut the robot’s cable and abandon it inside the reactor. A TEPCO spokeswoman told Phys.org that they don’t yet know whether radiation or debris stopped the robot.
A family source said: “Everyone is upset and mystified by the delay.
“They just don’t understand why it is taking so long.
“It is really upsetting that George is still lying in the morgue when people want to say goodbye to him.”
The source added: “Lawyers and the executor will effectively turn off the tap on spending — meaning the gas and electric could be cut off and Fadi made to leave.”
