Today we lost Catherine O’Hara, and it’s nothing short of heartbreaking. She was wonderful—an absolute treasure in Schitt’s Creek, Beetlejuice, and so many more critically acclaimed movies and television shows.
She was one of the best actresses of her generation, one of the most subtly funny people in Hollywood, and the entertainment industry was a better place because of her. Her work made us laugh, made us think, and made us feel a little less alone. It’s hard to imagine a world without her brilliant, singular voice and presence.
Catherine O’Hara’s body of work is staggering in its range and joy. She brought to life the unforgettable Moira Rose on Schitt’s Creek—a performance that earned her Emmy Awards and the love of fans around the world. She played Delia Deetz in Beetlejuice and returned to that role in Beetlejuice Beetlejuice.
She was the devoted but frazzled Kate McCallister in Home Alone and Home Alone 2: Lost in New York. O’Hara’s filmography also includes The Nightmare Before Christmas, Waiting for Guffman, Best in Show, A Mighty Wind, For Your Consideration, After Hours, and voice roles in Frankenweenie and The Addams Family.
On television, beyond Schitt’s Creek, she appeared in The Last of Us and The Studio, among others. From her early days on the sketch show SCTV to decades of iconic roles, she filled every performance with heart, humor, and humanity.
The video itself is deliberately vague, but it’s heavy on tone and intent. It teases a new phase of WSQK “The Squawk”, promising something “immense,” “epic,” and seemingly ongoing, with repeated references to scale, longevity, and a launch date in mid-February. What it doesn’t do is explain exactly what that means .. no programming details, no clear roadmap .. just atmosphere, confidence, and anticipation.
What makes this more interesting is what’s happening in the comments.
Across several TikTok posts, commenters are stating that the official Stranger Things team is aware of — and okay with — this account, even suggesting that it has been given a blessing and isn’t facing any copyright concerns. While that alone isn’t formal confirmation, it does suggest this is something more than a knockoff or a fan-made spinoff, especially compared to the many unofficial “Stranger Things-inspired” projects that have popped up over the years.
The Squawk radio station was arguably one of the best aspects of the run-up to the final season of Stranger Things. As an avid radio listener myself, I found WSQK more endearing and more fun than even the show itself at times. It felt alive. It felt immersive. It felt like discovery.
Yes, there’s still debate about the show itself — and we’re not getting into that here.
One particularly interesting detail is that several commenters have asked whether this new Squawk has anything to do with Conformity Gate. That might sound laughable at first… except the account has responded with a simple but telling word: possibly. Is that just marketing? Very likely.
Could there be something real behind it? Also possible.
What we do know is this: February 16 keeps coming up, and it appears that something is happening. A new Squawk is coming.
Is this part of a broader lead-in to other Stranger Things–related content arriving on Netflix this year, including the animated 1985 series? Or is it something different entirely? Right now, we don’t know.
But we do know it’s fun.
We’ve reached out directly to the official email address listed on the TikTok page and are waiting for a response. If we hear back, we’ll share whatever information is provided. Until then, this remains mysterious — but reassuring. Just like Contact.
Hopefully, the Upside Down is reaching out to us on the radio once again.
We read some interesting wrestling news this week, and it landed at a pretty perfect moment. “The Undertaker” recently said that wrestlers have gone too far in exposing the fact that professional wrestling is just a big show. Speaking on his podcast, “Six Feet Under”, he didn’t mince words when it came to kayfabe in the social-media era:
“I don’t like it. Everybody’s gonna, ‘Oh my God, it’s old school. That’s an old school guy trying to protect kayfabe.’ Look, I don’t care if it’s 2025, it’s 1990, or it’s 1984. Everybody understands what wrestling is, everybody knows. Ain’t no big veil been lifted. Except I don’t want to go see a magician and know how he’s doing everything.”
That quote couldn’t have come at a better time, because last night my son and I watched the “Royal Rumble 1990” on YouTube.
He’s 14, so he had to endure my historical commentary as each wrestler walked down the aisle… including some darker footnotes, like ,”Jimmy Superfly Snuka” and the story tied to Allentown, Pennsylvania. Wrestling hits different when you’re watching it through a historical lens instead of just as a kid on the living-room floor.
What struck me most, though, was how hard we were both laughing. “Dusty Rhodes” swinging his arms like a madman. “André the Giant” throwing punches that clearly never landed. It was ridiculous… and it was perfect.
We knew it was fake back then. As a kid, maybe I didn’t know how fake, but my parents absolutely did. And yet they still ordered the pay-per-views. They still made it a fun night. We watched, we cheered, they laughed, and nobody felt cheated. The pretending was part of the deal.
That’s where The Undertaker’s point really lands. Today, everyone knows wrestling is a fraud… and not just a fraud, but a carefully scripted one. The seams are exposed constantly. It almost feels strange that fandom even exists when the audience is expected to acknowledge the con before they’re allowed to enjoy the entertainment. It wasn’t always like that.
One of the greatest examples of that blurred line was “Stone Cold Steve Austin”, “Bret The Hitman Hart”.. Austin entered as the heel, Hart as the hero… but as Austin’s blood covered the mat, the crowd turned. The fans rejected the Hart Foundation and embraced the beer-guzzling rebel. That moment helped ignite the Attitude Era. It felt real. It felt organic. It felt like something no one could fully control… even though “Vince McMahon” absolutely could.
Then came the Montreal Screwjob in1997… That was the moment many of us truly understood it was all a setup. The magician walked us through the trick, step by step, and once you see that, you can’t unsee it.But wrestling can be very, very real. So real that it could cause death.. Owen Hart is the prime example. And that tragic night, Vince made the show go on despite wrestlers not wanting to.. It can be fake. But very real implication.
I don’t know what happens to wrestling in the future. It’s trying to evolve in a world where the illusion is gone and the audience is hyper-aware of the mechanics behind the curtain. For modern fans, you have to accept the con job first in order to enjoy the performance.
Back in the day, you didn’t have to do that. You could tell yourself there was at least a chance those punches landed. A sliver of doubt kept the magic alive. The storylines, the heel turns, the betrayals… they felt authentic, even if they weren’t real.
None of it was real. But we were. And maybe that’s what we’re really nostalgic for.
That is why we are reading a book called THE SIX PACK by Brad Balukjian. It is good so far. The Iron Sheik was one wild and crazy guy. A book report is forthcoming when we complete it..
We have the utmost faith in Mike Flanagan to elevate—and outright save—anything he touches, and now that includes The Exorcist franchise.
We wish him well, and we fully expect something special.
According to Deadline, another major star has joined the upcoming film from the acclaimed horror auteur. Academy Award nominee Diane Lane is the latest addition to the cast, joining previously announced stars Scarlett Johansson and Jacobi Jupe.
There are details have been released regarding who Lane will be playing, though that’s hardly a surprise. The project is being kept tightly under wraps, which only adds to the intrigue surrounding Flanagan’s take on this legendary property. The plot has been hush hush but it is known he is bringing a new energy and story to the Exorcist universe as only he could.
Sydney Sweeney is known for a few things. Movies, jeans, cultural flashpoints, and becoming a lightning rod for conversations she didn’t necessarily ask to headline. And a few other things people point out now and then .. But now, she may have earned herself something new… a potential record.
After already sparking backlash months ago over her controversial American Eagle campaign, Sydney Sweeney has once again found herself in hot water—this time quite literally climbing higher than most actors ever do. During a nighttime shoot in Los Angeles, Sweeney was filmed scaling the iconic Hollywood sign and stringing a clothesline of bras from her upcoming lingerie line across the massive letters.
Tmz, as usual, got the scoop in the video to prove it.
According to reports, she did secure a permit from Film LA to shoot at the site. What she didn’t reportedly get was approval from the Hollywood Chamber of Commerce to actually touch or climb the sign itself. That distinction matters. If the chamber chooses to pursue it, the incident could lead to charges ranging from criminal trespassing to vandalism.
The irony here is hard to ignore. In an era where celebrity branding increasingly relies on shock, spectacle, and viral moments, Sweeney’s marketing seems to be pushing the limits of where promotion ends and provocation begins. Whether this turns into legal trouble or simply another headline in the ongoing reinvention of her public image remains to be seen.
Either way, Sydney Sweeney continues to prove that in 2026, fame isn’t just about being seen—it’s about how far you’re willing to climb to stay there.
Over the past few months, Clyde Lewis and Ground Zero have been navigating a difficult stretch.
While the guest hosts who’ve stepped in deserve real credit for keeping the show alive—and they truly should be applauded—the reality is that many longtime listeners tune in for Clyde. Without him behind the mic night after night, some of the fan base has understandably grown discouraged.
Clyde has been dealing with serious health issues and has chosen to remain mostly private about them.
What is known is that he’s been hospitalized, is currently receiving treatment in a nursing facility, and is expected to be released around mid-February. It also appears he’s been navigating major personal changes during this time, which only adds to the weight of everything happening.
Today’s update adds another layer of concern. Ground Zero will no longer be broadcast on syndicated terrestrial radio after the end of this month. According to the announcement, the show received no advertising revenue from radio over the past four years while still covering studio and production costs. Clyde’s extended absence also led to the loss of several affiliates. Going forward, the show will continue online through GroundZeroPlus.com, with a free 24/7 stream and a paid membership offering access to archives, documents, videos, webinars, and the chatroom. Terrestrial radio listeners without internet access are being encouraged to switch to internet radios or the Paranormal Radio app.
None of this means Ground Zero is over. Clyde has bounced back before, and he may very well do so again. But there’s no question the future of the show will depend heavily on listener support, patience, and loyalty during this transition.
If the voice that guided people through late nights for decades is going to return stronger, he’s going to need his audience now more than ever.
A mysterious “Dorito-shaped” aircraft was spotted soaring above the highly classified Area 51 military base in southern Nevada.
Off-grid videographer Anders Otteson — known for documenting the mysterious landscapes around the military installation for his YouTube channel Uncanny Expeditions — was out in the desert when he recorded a strange, unidentified aircraft around 3 a.m. Jan. 14
This morning when I woke up, I noticed that Netflix added a new category to its main page called Let’s Pretend It’s 2016. It features movies and television shows like the Ghostbusters remake, The OA, and of course Stranger Things, since Season 1 appeared ten years ago.
Seeing that listing was a reminder of just how many things have come and gone on Netflix… and, honestly, how much better things used to feel. Over the last decade, everything seems to have gone downhill. So much of what’s released now feels rushed, made without much care or concern, with lackluster scripts and very few fresh ideas. But go back just ten years, to 2016, and we kind of had it made. We just didn’t know it.
Back then we were probably complaining that Netflix had already dumbed things down, that there wasn’t much to watch, and that the best entertainment was from ten or twenty years earlier. Little did we realize that here in 2026 we’d be decrying the bad writing of Stranger Things Season 5 and missing shows that were genuinely binge-worthy, not ones you casually glance at on a boring snowy weekend.
It’s nice to see this category, but it’s also bittersweet. Nostalgia can be one of the most dangerous things… it has a way of creating unrealistic memories of the past. Things weren’t always that great, and tomorrow isn’t always as bad as it seems. But when it comes to entertainment, movies, and television shows on Netflix, things really might be as bad as they feel right now.
So I guess this weekend, as the snow falls outside, I’ll watch what I watched ten years ago… and maybe it’ll feel new again.
There were a number of rumors about David Harbour during the filming of Stranger Things 5.. Now the star is being interviewed and opening up in ENTERTAINMENT WEEKLY about his personal mental health since 1999…
“I have been in therapy since I got sober in 1999,” Harbour shared in a Future of Personal Health article, per Entertainment Weekly. “When I quit drinking, it forced me to confront a lot of demons that rose to the surface,” Harbour added, emphasizing how important therapy has been for him in getting through.
The 50-year-old Netflix star noted he “has not had a manic flare-up since I started psychoanalysis with a good therapist.”
Describing those episodes, Harbour explained that his thoughts become “disordered and chaotic,” with meaningless details suddenly taking on significance.
He added that the flare-ups were accompanied by what he described as a “fundamental narcissism,” which made him feel like the center of everything.
According to Harbour, a recent change in his approach has made a significant difference. “Only recently have I started intense psychotherapy, and it has made a world of difference in my treatment,” he said.
In a new interview with The New York Times, Netflix co-CEO Ted Sarandos said that, should the WBD acquisition go through, the streamer will commit to 45-day theatrical release windows for the legacy studio’s upcoming releases.
Sarandos insisted that Netflix has no intentions of disrupting “a theatrical distribution engine that is phenomenal and produces billions of dollars,” and that he believes there is value in the movie theater experience.
“I’m giving you a hard number,” Sarandos said. “If we’re going to be in the theatrical business, and we are, we’re competitive people — we want to win. I want to win opening weekend. I want to win box office.”
“I mean, like the town that Sinners is supposed to be set in does not have a movie theater there,” Sarandos reasoned. “For those folks, it’s certainly outmoded. You’re not going to get in the car and go to the next town to go see a movie.”
