Just as Stranger Things season 5 will conclude on the streaming platform Netflix, there are rumors being confirmed by the Hollywood Reporter that the makers are in talks to fly the coup to Paramount..
Arguably, Netflix is not where it would be today without Stranger Things.. But the spinoff shows? The plans for more? The new series from the Duffers being made?
In the winter of 1966, the people of Point Pleasant, West Virginia, began whispering about a strange winged figure with glowing red eyes that appeared at the edges of town.
The sightings, later tied to the legend of the Mothman, took on an eerie tone when several witnesses claimed they felt more than just fear in its presence—they felt a deep, certain knowledge that something terrible was coming. A year later, in December 1967, the Silver Bridge collapsed, killing 46 people. Whether you see Mothman as a supernatural messenger or just a story wrapped around a real disaster, the accounts are rooted in something profoundly human: the experience of having a gut feeling that the future has already been decided.
This is the opening of the very interesting article:
As a professional and Olympic goalkeeper, Briana Scurry never looked at her opponent as she approached a penalty kick. At pivotal moments, she says, “my MO is to not even look, and just focus on what I need to do, on my preparation for everything”.
But in the Women’s World Cup final in 1999, the USA were tied with China and the game came down to a shootout, watched by 91,000 people inside the Rose Bowl in Pasadena and up to 40 million at home. Scurry had failed to save the first two kicks. On the third, facing Liu Ying, Scurry did something differently.
“As I was walking into the penalty area to present myself for the save, I heard something in my mind say: ‘Look’,” Scurry says. She heeded the call. “I watched her approach the penalty spot, which is something that I didn’t normally do, and I knew right then that that was the one I was going to save.”
In that split second before Ying kicked, Scurry says, “time slowed down. Everything she did was slow motion and very clear. She opened her hips up, she approached short from the same side, I saw the inside of her foot she was using, so I knew exactly where she was going before she kicked the ball.”
It explained that what we call intuition is not a prophecy from the beyond but a rapid, almost invisible process in the brain. Without our conscious awareness, we absorb tiny cues from our surroundings—changes in facial expression, a shift in the air, even faint environmental signals—and our brain knits those pieces together into a conclusion before we’ve had time to reason it out. That conclusion often arrives as a quiet certainty, one that feels as if it came from nowhere.
The article also drew a line between true intuition and anxiety. Intuition tends to feel calm and steady, the kind of insight you can sit with without urgency, while anxiety is loud and insistent, driving you toward action through fear rather than understanding.
I’ve had moments that made me wonder which side of that divide I was on. Once, driving on a rural road, I felt with no logical reason that a deer would cross ahead. I slowed down, and sure enough, a mile later it happened. Another time, I bought a raffle ticket convinced (like …convinced) that I would win. I did. Of course, there are countless other days when I’ve bought tickets and lost or driven without seeing a thing, and those moments vanish from memory. That’s part of the trap: we remember the eerie hits and forget the ordinary misses, which makes the rare times our gut is right feel supernatural.
Lately, the internet has been resurfacing clips of Sylvia Browne, the gravel-voiced psychic who dominated daytime talk shows in the 1990s and early 2000s.
Lately, the internet has been resurfacing clips of Sylvia Browne, the gravel-voiced psychic who dominated daytime talk shows in the 1990s and early 2000s.
Sylvia Browne’s persona was built on certainty.. telling grieving families exactly what had happened to missing loved ones, forecasting apocalyptic events, making sweeping predictions on live television. Sometimes she was right, but often she was not. In one notorious case, she told the parents of Amanda Berry, who had been kidnapped, that their daughter was dead. Amanda was found alive years later. Yet Browne’s unwavering confidence kept audiences hooked, because people are drawn to anyone who claims to pierce the veil of the unknown.
This is where I think the “Sylvia Browne Effect” comes into play. When public psychics deliver their visions with theatrical conviction, they blur the line between genuine, personal intuition and staged prediction. For believers, it can feel like proof that the paranormal is real; for skeptics, it’s a reason to dismiss all gut feelings as trickery. The problem is that both reactions miss the point. Intuition is a real cognitive process, shaped by our experiences and environment, but it can be warped by bias, fear, or desire, and that’s where performance and reality start to overlap.
For those of us who enjoy the paranormal and horror, knowing this doesn’t take away the thrill. It can actually make it more intense. There’s still room for the mystery.. it is the moment when your stomach drops or the air feels different, the hair-raising sense that something’s about to happen. But there’s also the awareness that our brains are extraordinary pattern-recognition machines, capable of keeping us alive in ways we don’t always understand.
When I think of the Mothman legend, I don’t just see it as a cryptid tale. I see it as a metaphor for that strange overlap between belief and biology, between the stories we tell to explain our instincts and the quiet, relentless work our minds are doing behind the scenes.
The challenge is not to choose one over the other, but to hold both in our hands at once…the science that explains so much, and the shadow of the unknown that keeps us looking over our shoulder.
Because sometimes, the most chilling part of an encounter isn’t what you saw, but the feeling you had about it before you even knew it was there.
Get ready for one of the most beautiful nights of the summer—not because of the weather, but because the Perseid meteor shower will be lighting up the sky this evening. And it’s arriving alongside a waning gibbous moon, just a few days past full, glowing bright for all to see.
If your skies are clear, you’ll have a perfect view of both the moon’s silver glow and the streaks of meteors tracing across the darkness. The Perseids are known for their magic—quick, bright flashes that vanish as suddenly as they appear.
It’s the perfect excuse to grab the hand of someone you love, spread a blanket on the grass, and lie back beneath the vast summer sky. The season is fleeting, and nights like this are rare. Step outside, breathe in the warm air, and let the meteors remind you that beauty often lasts only a moment—so don’t miss it.
Danielle Spencer, a child star best known for her role on the sitcom “What’s Happening!!,” has died. She was 60.
Spencer was most well-known for playing Dee Thomas, the younger sister of Raj, on “What’s Happening!!,” with her iconic catchphrase, “Ooooh, I’m gonna tell Mama!”
While it was not confirmed how she died, Spencer had been diagnosed with breast cancer in 2014 and underwent a double mastectomy.
She also had emergency surgery in 2018 for a brain bleed.
After her time on television, Spencer went to school and became a veterinarian in 1993
3I/ATLAS: Alien Recon Mission or Just a Weird Space Rock?
Professor Avi Loeb has been keeping a close eye on a foreign object hurtling through space toward our planet. Scientists, unsure exactly what this interstellar visitor might be, have dubbed it 3I/ATLAS. Since its discovery, theories have been flying faster than the object itself.
On one side, you’ve got people like Richard C. Hoagland popping up on Ground Zero with Clyde Lewis, confidently declaring it’s indeed an interstellar object. Others worry it’s a reconnaissance mission—some kind of alien “drive-by” to check whether Earth is ripe for easy conquest. And then there are the skeptics, who think this is all a bit much. Let’s face it, the idea that an alien “interloper” is cruising in for a potential invasion is… well… pretty far-fetched.
Of course, if it is aliens, they’re probably not coming to just say “hi.” Bigger plans might be in the works. Still, the media has run with this in ways no one had on their 2025 bingo card. Across the internet, people are now claiming Harvard itself is communicating with the alien ship—a complete misreading of Loeb’s theoretical hypothesis. Somehow, a scientific discussion about possibilities has morphed into “Harvard held a meeting with the hostile invading alien army to discuss their plans.”
Is it an alien ship? I guess it could be. I mean, heck, I don’t own a telescope, and I’m not exactly equipped to tell the difference between space debris and a Death Star. What we do know is that scientists are saying this thing isn’t necessarily behaving like a comet—and that’s the part that’s making eyebrows go up.
It might be a comet. It might be something else. But the media? Oh, the media… They seem less interested in digging for real answers and more interested in hitting copy-and-paste on the same breathless story, over and over, like a galactic game of telephone.
Time will tell. If we’re invaded, I guess the Harvard scientist’s theory was right. If we’re not invaded… well, maybe they just decided to come back later—with a bigger army.
AOL just hit me with some news I didn’t see coming: they’re officially discontinuing their dial-up service.
Now, I don’t know about you, but I thought dial-up was long gone—like floppy disks and Blockbuster stores. Turns out, it’s been quietly hanging on this whole time. But as of September 30th, at least through AOL, it’s officially done.
From the company itself:
> “AOL routinely evaluates its products and services and has decided to discontinue Dial-up Internet. This service will no longer be available in AOL plans,” according to AOL.
And… that’s it?
We’ve all talked about how the internet is slowly dying—not disappearing, but changing in ways that make it feel less real. Artificial intelligence is certainly helping speed that along. So are bots, spam, and fake accounts pretending to be real people. But at least with dial-up, you could count on one thing: if someone was using it, they were definitely a real person. They were out there, patiently (or impatiently) suffering through the endless hang-ups, busy signals, and painfully slow connections.
What worries me is that one day, we might actually need that phone line again. All it takes is one big asteroid or comet knocking a few satellites out of orbit, and suddenly those “ancient” connections start looking pretty useful again.
September 30th—mark it down. A day for dial-up that will live in infamy..
And just for that nostalgic melancholy hears the old sounds for your enjoyment.
FREAKIER FRIDAY couldn’t beat the true Weapon of the weekend box office..
New Line’s movie earned an $18.2 million opening day from 3,202 locations — including $5.7 million from previews — and putting it on course for a $40 million opening weekend.
“Weapons” is only the 14th horror movie since 1981 to earn an A- or higher on CinemaScore, and becomes the second Warner horror film this year alongside Ryan Coogler’s “Sinners,” which earned the third horror A in CinemaScore history, to reach that mark.
Call it the summer of Annabelle.. The ‘haunted doll’ from the Warren’s collection is back in headlines again..
Retired NYPD officer Chris DeFlorio, alongside his wife Harmony, a former FDNY EMT, is issuing a public warning following the recent announcement that comedian Matt Rife has acquired the Warrens’ infamous occult museum the Annabelle doll. DeFlorio has been labeled a demonologist..
“Haunted objects are nothing to be played around with,” said Chris DeFlorio. “They are used as conduits for demons to find their way into our lives. Annabelle is one of the most famous examples we have of how demonic entities can cause chaos and even violence in the lives of human beings.”
“Lorraine Warren made it very clear that this doll should not be messed with and there’s a reason for that,” Chris emphasized. “All of this fear and curiosity creates energy, that’s what demons thrive on, that’s what increases their ability to manifest and torment. Turning Annabelle into a pop culture icon isn’t just irresponsible, it’s dangerous.”
“We don’t want to scare people,” adds Harmony. “But when you deal with spiritual danger, the consequences can be very real. If Matt is going to display this collection, we want to help ensure it’s done safely for him, for his team, and for the public.”
If Rife accepts, the DeFlorios would be the first to enter the museum under new ownership, conducting a spiritual risk assessment and blessing the collection.
INSANE ANNOUNCEMENT 😍🤯😈👹 I have officially purchased Ed and Lorraine Warren’s home and Occult Museum, including being the legal guardian for at least the next 5 years, of the entire haunted collection including THE ANNABELLE DOLL, with my good friend @EltonCastee!! If you… pic.twitter.com/1FVhtjv9oc
Kelley Mack, known for her role as “Addy” in “The Walking Dead,” has died.
She was just 33-years-old.
Mack announced in January that she was diagnosed with a rare form of cancer. Variety reported that her family said that cancer was glioma of the central nervous system
Mack’s family shared the news on her Instagram account Wednesday.
“It is with indelible sadness that we are announcing the passing of our dear Kelley,” the statement read.“Such a bright, fervent light has transitioned to the beyond, where we all eventually must go. Kelley passed peacefully on Saturday evening with her loving mother Kristen and steadfast aunt Karen present. Kelley has already come to many of her loved ones in the form of various butterflies. She will be missed by so many to depths that words cannot express.”
“She would want you all to know how much she loves you,” it read. “And as her sister, I want you all to know how brave that tough SOB was, especially when she decided to make the leap to be reunited with God. I’m so (expletive) proud of her.”
I just saw the movie Weapons. Zach Cregger made a decent film that’s worth talking about, but quite frankly, I’m not sure I’m in the camp of people giving it the 100% Rotten Tomatoes score.
I’ll say this first: the movie’s not forgettable. The characters are not forgettable. Josh Brolin does a great job as Archer Graff. Julia Garner brings a lot of depth to Justine Gandy, and Alden Ehrenreich’s Paul Morgan—cop, ex-boyfriend, and conflicted soul—adds another layer to the story. There are a few protagonists, and plenty of antagonists. It’s not your typical flow. It’s more akin to Midsommar or Hereditary than your standard horror flick. It’s deeply unsettling, profoundly disturbing, and strangely funny.
But a problem exists in the characters.. there was a lot of development–but we did not end up even liking any of them. No one was … ready for our acceptance..
But sadly, for me, in the end, it’s more of a miss than a dead-center bullseye.
Let me explain. The movie does a few things very well. It doesn’t take itself too seriously at points when it shouldn’t. Even during the dramatic final conclusion—one of those moments in any film where you’d expect the audience to be on the edge of their seats—it slips in a scene that would go well with a laugh-track. If you had put some Benny Hill music over that scene, it would have completely lost credibility.
But here’s the thing: while you’re laughing, you drop your guard… and then it hits you with a horrific, graphic, gory scene. That’s what Cregger does best here—he lulls you in with a little levity, only to jab at you when you least expect it. It’s not light after all. It’s mostly dark. He mocks your frivolity.
It’s tough to do a movie review without spoilers, and I’m not going to spoil anything. I will say this: the most memorable character in this movie is one you don’t even see in the previews. I did myself a huge favor by avoiding spoilers altogether. The reviews I skimmed beforehand were short, vague, and gave me nothing concrete, and I’m glad for it. I recommend you do the same.
That said, I can’t help but wonder if the marketing and buildup to this film were a bit over the top compared to what it actually delivers. We were led to expect a Stranger Things-esque production—mystery, vibe, nostalgia—and yes, we definitely get a vibe. In fact, much of the film is bright and sunny, like Hereditary, using that unsettling trick of placing horror under a blue sky. Cregger nails that.
The flow works. The storyline is interesting. The acting is superb (despite not ending up liking many characters)..
There are moments that put you on the edge of your seat, and there are moments that make you wince and cringe at what’s unfolding on the screen. But then… it just ends. And that’s the biggest jab of all.
If you expect a solid ending, depending on your point of view, you might get it. But I think a lot of people walked out of the theater wanting something different. That’s strange, because up until the wrap, the movie was going well.
The run-up to Weapons had everyone thinking it would be the horror movie of the year. For me, it’s one of the good ones. But we’ll wait until year’s end to decide if it really earns that crown.