The first full-length trailer for new football horror movie Him is here, and it promises a bloody tale about the pursuit of fame.
“What are you willing to sacrifice?” a voice asks as the trailer begins. The movie stars Marlon Wayans plays Isaiah White, a legendary quarterback nearing retirement, while Tyriq Withers plays Cameron Cade, his promising young protégé. Cameron is a rising star on the precipice of a successful career who suffers a potentially career-ending brain trauma on the eve of the NFL Scouting Combine.
The latest outbreak of Legionnaires’ disease in Central Harlem has killed three people so far and sickened at least 73 others, as of 5 p.m. Wednesday, according to the New York City Health Department.
It typically spreads when people inhale mist containing Legionella bacteria, which can grow in buildings’ water-cooling tanks, making it a longtime scourge for New York City.
City health officials say they have taken steps to control the outbreak but are still urging anyone experiencing the flu-like symptoms associated with Legionnaires’ disease to seek medical treatment. The current outbreak is affecting ZIP codes 10027, 10030, 10035, 10037 and 10039 and the surrounding areas.
While the media is mocking her for this, maybe we are seeing hints of disclosure coming the Trump administration.
Director of National Intelligence Tulsi Gabbard believes aliens might exist—and is hinting there is “classified” material to back her up supposition.
Gabbard, who oversees 18 U.S. intelligence agencies, was asked whether “there could be aliens” on the New York Post podcast “Pod Force One.” “I have my own views and opinions,” she said. “In this role, I have to be careful with what I share.”
The Post reported that when she was pressed further on the possibility of extraterrestrial life, Gabbard said: “Yes.”
Zach Cregger is back—and getting high praise for his latest work..
His newest film Weapons hits theaters this weekend. While there are no solid box office predictions yet, the early buzz is loud and clear. As of this post, Weapons is sitting pretty at a 100% rating on Rotten Tomatoes—and that’s from 40 reviews. That’s rare.. impressive. That’s unheard of for most horror movies, and honestly, it’s incredible for any movie.
We’ve been hearing little snippets and whispers about the plot, but we’re trying to stay spoiler-free over here. What we do know is this: the movie runs over two hours, features at least one scene of gore that people are already talking about, and is packed with disturbing, unsettling moments—peppered with some dark humor, just how we like it.
This is exactly the kind of horror film that begs to be seen on the big screen. Creepy atmosphere, uncomfortable tension, and enough mystery to keep us guessing? Sign us up. So let’s dim the lights, cue up Nicole Kidman talking about heartbreak in a place like this, and fire up the AMC popcorn. Weapons is coming—and if those early reviews are any indication, we might be in for something truly unforgettable.
Remember a couple of weeks ago when we heard the story about a man who was sucked into an MRI machine? It was tragic. And as awful as it sounds, people still managed to crack jokes about the situation. Macabre, sure—but that’s just something we do as people sometimes, isn’t it?
A lot of folks online actually blamed him, saying he walked in with big chains on. The early reports made it sound like he was completely in the wrong, in the wrong place, ignoring all protocols. But now, maybe we were told wrong. Maybe—just maybe—this is yet another example of the media rushing to report something before all the facts were clear.
Let these stories breathe. Let them develop before we cast judgment.
Now that video has been released, showing 61-year-old Keith McAllister walking freely into the MRI room in New York back in July, wearing a large metal chain around his neck. You see him walking in, following the technician. Moments later, tragedy struck.
Video released of 61-year-old man who was pulled into an MRI machine in New York back in July because of the heavy metal chain he was wearing around his neck.
Tragically, Keith McAllister later passed from the accident.
Keith later passed away from the injuries caused by the powerful magnetic force of the machine pulling him in. And now, the conversation shifts from blame to accountability.
Where were the protocols? How was he even allowed into that room like that? The lack of enforced safety procedures here is horrendous.
Pray for the McAllister family.
And at this point, you have to ask—does this family now have the grounds for a wrongful death lawsuit? It’s a terrible, heartbreaking situation. But once again, it highlights why we need to hold off on forming quick opinions until we know the full story.
Cue the morning bell. Cue the fluorescent lights. Cue the shadows.
Starting this month (maybe even now depending on when you read this), across the United States, something unprecedented will happen.
A generation of children — born during one of the strangest chapters in modern history — will walk into kindergarten classrooms for the first time. They were conceived in isolation, delivered in silence, and swaddled in uncertainty. They are the COVID kids. The lockdown babies. The pandemic generation.
They don’t remember the trauma. But they were raised by it.
And now, teachers, already battle-tested by Gen Z, numbed by Gen Alpha, and drained by a thousand daily bureaucratic fires, are bracing for the unveiling.
When the bell rings and those little shadows begin filling the halls under the flicker of cold fluorescent light, no one really knows what to expect. These kids weren’t just born into a pandemic. They were shaped by it.
Some early studies suggested they’d have communication delays. Some TikTok teachers swear they’re smarter. Others say they’re quieter, more well-behaved. But the truth is no one really knows. There hasn’t been enough research. There hasn’t been enough time.
These kids were born into a world that kept its face covered..literally. Their first years were filled with masked expressions, muffled words, and Zoom screens. Their parents were anxious, unemployed, essential, depressed, distracted .. or all of the above. Some of these children were born into warm homes with love, attention, and time. Others were born into chaos. Into neglect. Into trauma.
And trauma doesn’t disappear just because a child doesn’t remember it. Trauma seeps. It lingers in rooms. It shapes the way caregivers speak, hold, feed, and raise. The lockdown generation didn’t just inherit a new world. They were forged in its uncertainty.
They don’t need to be taught how to use technology, they were practically born with a Wi-Fi signal in the womb. They swipe before they speak. They know how to pause YouTube before they know how to tie their shoes. They understand digital language innately, but will they understand each other?
This isn’t about fear mongering, it’s about the unknown.
What does a generation raised by people in crisis look like once they enter society en masse?
What happens when 3.5 million tiny humans, the first full wave of post-pandemic babies, walk into kindergarten rooms for the first time, and teachers look at them not knowing what to expect?
The millennials grew up cynical. Gen Z grew up online. Gen Alpha is growing up desensitized.
And now comes the lockdown generation — born in fear, raised in masks, and possibly… surprisingly brilliant. Or broken. Or both.
And like any good horror story, the scariest part isn’t the monster you can see.
It’s the one quietly sitting in the circle rug, glue stick in hand, looking up at you with wide eyes… while you wonder what kind of world shaped them before they could ever speak back.
I spoke to a teacher just last week — someone who’s been in the game for 25 years. She’s seen it all: the compliant kids, the curious ones, the class clowns, the kids with chaos in their eyes. She told me she’s nervous. Not because she’s burned out (though honestly, who wouldn’t be by now?), but because she’s watching something shift.
She said she’s seen three wildly different generations move through her classroom. But Generation Alpha, she claims, is the most distracted and — in her words — the “least controllable.” Now, sure, maybe that’s a teacher who’s seen one too many snack wrappers smuggled into Chromebooks. But I trust her. She’s not dramatic. She’s grounded. And if she’s saying she’s worried about this next wave.. this lockdown generation ..then I think it’s worth paying attention.
Will these kids even be into sports? Or will that feel too slow for their dopamine-fueled brains? They’ve already had screens in their faces since birth. They’ve been swimming in pop culture longer than they’ve been walking. They’ve likely absorbed a ton of information, too .. let’s not forget, during the lockdowns, a lot of well-meaning parents panic-purchased every educational app in existence trying to make up for closed preschools. Maybe these kids are actually going to blow us away with their knowledge, their vocabularies, their ability to navigate tech like tiny coders in Velcro sneakers.
But there’s something weird happening culturally.
See, kids have always lived in the moment, that’s nothing new. But this generation? They seem to have no reference point for what came before. There’s no nostalgia pipeline. No reruns. No channel surfing through time. When we were kids, you’d turn on the TV and accidentally land on a show from 20 years ago. Boom! An instant education in the past. But now? Streaming is a filter bubble. The oldest thing some of these kids have seen is The Office… and even Friends practically ancient lore to them.
Millennials grew up with Full House, Happy Days, and The Wonder Years reruns.. shows that gave us a sense of history, even if it was sugarcoated. Generation X grew up under the weight of the past, with the ghost of Vietnam in every TV drama and punk album. But these kids? They don’t know what came before… and more importantly, no one is showing them.
If someone made The Wonder Years today, it would be set in 2005. Wrap your head around that. The Iraq War. The dawn of Facebook. The tail end of MySpace. The strange, hazy period right after 9/11 when everything was weird, tense, and deeply uncertain. Honestly, maybe someone should make that version of The Wonder Years. Because kids today have no idea what that era felt like and no clear path to understanding it.
So here we are. August. The calm before the academic storm. Teachers are polishing up their lesson plans, Wi-Fi routers are warming up like engines, and smartboards are flickering to life. And soon, 3.5 million children born in the isolation of a global crisis will fill classrooms across America.
Will they be resilient? Will they be fragile? Will they be brilliant? Broken? Beautiful?
Or something altogether new?
The truth is, no one knows. Not the teachers. Not the psychologists. Not the parents. Not even the kids themselves. Because this generation wasn’t shaped by the world, it was shaped by the pause in the world. And whatever was born in that silence… is about to speak.
The U.S. Geological Survey has confirmed that an earthquake struck northern New Jersey on Saturday night. Originally reported stronger it was set to a 3.0 — but residents still felt it loud and clear.
Reports poured in from across New York City and surrounding areas, with many describing loud booms, noticeable shaking, and a brief moment of unease as the ground gave a jolt.
This follows a massive earthquake in Russia last week, and it seems the planet is keeping everyone on their toes.
On this Saturday night, the earth gave a subtle but stern reminder to millions: She’s still in charge.
“I learned my lesson the hardest way possible,” he said. “I was a good father throughout. The one thing I can say that people do say about me was that I was a good father. But I would be a better father—a lot better father.”
“We have a tablet, we get movies, normally six months later,” Weinstein explained. “And my son said to me, ‘Hey dad, I don’t believe that Captain America [Brave New World] is gonna be a good movie.’ And I say, ‘No. no, it looks good, I’ve heard it’s good go see it.’”
“He went and saw it and he said, ‘Dad, it was terrible,’” Weinstein recalled. “And then I finally saw and I had to call him on the phone and said, ‘You know what, you’re right, it was terrible.’”
“You don’t get your shirts, you don’t get your socks, you don’t get your underwear. The food is rancid. I mean it is really awful.”
One of the funniest movies in recent history… It is just what I have been missing with comedies. — Rachel Leishman, The Mary Sue
One of the most audacious comedies in years; one that evoked the biggest laughs of any press screening I’ve ever attended. — David Gonzalez, The Cinematic Reel
[It has] the kind of retrograde, politically incorrect humor that makes the movie feel almost like the old Naked Gun. — David Rooney, The Hollywood Reporter
The original Naked Gun was hilarious. It was a film that practically had audiences wetting their pants. The new Naked Gun, by contrast, is amusing. — Owen Gleiberman, Variety
Not everything lands, but on the whole, the film’s batting average is higher than 1994’s The Naked Gun 33 1/3: The Final Insult. — Nick Schager, The Daily Beast
The shadowy object moves up the stairs to Epstein’s cell block at the Metropolitan Correctional Center around 10:40 p.m. the night before the 66-year-old convicted sex trafficker was found hanged.
Federal investigators previously said the pixelated blob was a corrections officer “carrying linen or inmate clothing,” but forensic experts who spoke to the network as part of an investigation into the jail video now suspect it may have actually been a jumpsuit clad inmate.
“To say that there’s no way that someone could get to that, the stairs up to his room, without being seen is false,” video forensic expert Jim Safford told CBS, with his view shared by four other leading experts.
The footage also doesn’t appear to be raw, with the outlet reporting it’s likely a screen recording — evidenced by a cursor and menu visible on the screen. The video feed also skipped ahead a full minute just before midnight, and its aspect ratio abruptly shifted.
MORE..
CBS also reports,
The Justice Department said the FBI seized the prison’s digital video recorder system, or DVR, containing the raw footage five days after Epstein’s death. When federal officials released the jail video, they attested that it was “raw footage,” but the presence of a cursor and onscreen menu raise questions about that. Experts told CBS News those images indicate the video was likely a screen recording rather than an export directly from a DVR system.
