Category: Netflix

  • It may be smart to avoid THE LAST HOUSE

    It may be smart to avoid THE LAST HOUSE

    It was all so promising… until it was released.

    I just watched The Last House on Netflix so you don’t have to.

    No, really. You don’t have to.

    If you want to, that’s fine. We just don’t think you should.

    This thing was a total mess.

    Don’t get me wrong, it starts with a somewhat interesting concept. These people are all stuck inside their houses, peacefully and happily celebrating Christmas and making little whimsical notes to their neighbors about what’s going on. It actually reminds you of those very innocent first days of COVID, when everybody was locked inside their houses, people were singing from balconies and making all of those ridiculous dance videos because none of us quite realized yet what we were in for.

    And maybe that’s actually the best part of the movie.

    Because from that point on, things get progressively worse for the family and, unfortunately, progressively worse for us as viewers.

    While the premise is unrealistic, the way these characters faced this moment was TOTALLY unrealistic..

    Some spoilers are coming, so read at your own demise.

    At some point we’re introduced to the concept that these ill-fated homeowners simply cannot get out of their house. Rain constantly falls outside. Everyone in the neighborhood slowly runs out of food except for this particular family because Dad is apparently MacGyver and knows how to do everything, while Mom suddenly becomes capable of creating a vegetable garden inside the house.

    The movie itself seems to be aiming for something much bigger than just a family trapped in a house. There are ideas here about isolation, survival, climate change, humanity’s relationship with nature and even the possibility that human beings aren’t necessarily entitled to this planet forever. That could have made for a fascinating movie.

    The problem is that The Last House keeps throwing those ideas at you without ever really bringing them together. What begins as an eerie and almost believable story about a family adapting to an impossible situation eventually becomes so bizarre that instead of wondering what’s going to happen to these people, you start wondering what the hell the movie is doing.

    The kids, meanwhile, don’t do much of anything to add to life. When they’re young, they basically say the adults will take care of everything, and that seems to remain their philosophy for most of the movie. It isn’t until near the end that they finally get some gumption and decide to actually do something.

    And it’s only when they get that gumption that we finally see some form of oceanic monster. But apparently, according to everybody, these creatures were here longer than we were, so really it’s their planet and not ours.

    Okay.

    Meanwhile, the monsters are apparently content to allow everybody to slowly decay inside their homes while the land floods with salt water. Inside the house, everything is falling apart, but outside bears and other animals are apparently taking the land back again.

    At some point we discover the house is sinking.

    But don’t worry! The house can apparently keep surviving for years while Dad fixes his car, everybody ages, the world changes and this increasingly impossible structure just keeps hanging in there.

    It’s a total mess.

    Are there redeeming parts? Maybe here and there, but you have to sustain almost two hours of mostly dialogue, increasingly unrealistic survival techniques and some pretty amazing creativity from this family, including trapping animals through the chimney with what amounts to an automatic animal trap.

    Listen, this movie had the complete tone of a Tubi movie that somehow wandered onto Netflix.

    And that’s not necessarily an insult to Tubi.

    The ratings on Rotten Tomatoes are deplorable, and after watching it, we can see why.

    We wanted to like The Last House. We wanted it to be great. There’s actually a good movie buried somewhere inside this concept. Instead, what we ended up with was something that should have been completely forgettable.

    Except it was so bad that we’re probably never going to forget it.

  • The Last House now on Netflix

    The Last House now on Netflix

    THE LAST HOUSE is officially now streaming on Netflix, starrimg Greta Lee and Wagner Moura.

    The film follows a family that is mysteriously sealed inside their own home with no way out, forcing them to survive on dwindling supplies while an ominous force keeps them trapped.

    Directed by Louis Leterrier, THE LAST HOUSE blends supernatural horror, survival thriller and post apocalyptic sci fi, with Netflix positioning it as one of its major August releases.

    And the critics claim it is giving Tubi in its appearance and plot..

  • Boroughs is one and done

    Boroughs is one and done

    This news being exclusively reported by Deadline tonight is a bit surprising, reviews for the duffer Brothers produced Netflix show the Boroughs was pretty strong but the rating for pretty tepid..

    We offered our own review of season 1 and we liked it. But now Netflix is ensuring that it will not come back for season 2..

    You can read the Deadline article here

    More from Deadline..

    The news comes as somewhat of a surprise. Deadline hears there had been talk about renewing the series starring Alfred Molina, Geena Davis, Alfre Woodard, Denis O’Hare, Clarke Peters and Bill Pullman, and a Season 2 writers room had been opened, a standard practice for many high-profile series. According to sources, one of the ideas floated was to film Seasons 2 and 3 back-to-back.

    The retirement facility has closed..

  • It’s time to move into the Boroughs

    It’s time to move into the Boroughs

    We just got finished watching the The Boroughs on and we are highly recommending it. \First off, this review is going to stay mostly spoiler free, and honestly, we recommend you go into the show that way as well, binge away or space it out.. there is a lot to ‘consume’ in this show.

    Let’s go through some of the positives and negatives.

    The biggest compliment that can be given is this: this feels a lot like Stranger Things, just with an elderly population.

    As a matter of fact, the very last sequence of episode eight gave off serious vibes of the final scene from the first season of Stranger Things. And maybe that’s not surprising considering the Duffer Brothers are executive producers. To clarify, they didn’t actually write the show, but their fingerprints are definitely all over the atmosphere and tone.

    Where was this spirit during Season 5!?

    There’s also a mixture of classic Steven Spielberg style science fiction throughout the series, and even the theme music at times felt inspired by old-school sci-fi scores or even the theme music for M Night Shymalan’s SIGNS. Some people may call it borrowed, but honestly it feels more like a tribute to that era and genre of storytelling.

    Beyond the mystery and supernatural elements, the show surprisingly carries some real emotional weight about aging, respecting the elderly, and understanding that time itself is a thief. That message becomes evident across many of the episodes, and it gives the series more heart than people may initially expect. It also chose perhaps the only Bruce Springsteen song that seems tolerable..

    The acting was great, and the character development was genuinely fun to watch unfold. Geena Davis — and yes, her seemingly larger-than-normal teeth were a little distracting at times — still brought a lot of charm to the role, and she was believable enough as a younger love interest within the story.

    The soundtrack was solid, the graphics and effects were fun, and nearly every episode ended with some sort of cliffhanger that kept us wanting to immediately continue.

    If there’s one major complaint, it’s honestly that the episodes were too short. There just wasn’t enough episode in some of the episodes. Several ran under 47 or so minutes, and with credits lasting around five minutes each, they moved very quickly. But if anything, maybe that gives fans hope that a season two could be filmed and released faster, especially considering the glitchy ending this season leaves viewers with.

    Overall, this show is highly recommended. It has a great summer feeling to it, it’s creative, it’s different, and for Stranger Things fans longing for something remotely similar, this absolutely scratches that itch. It may not be the perfect replacement, but it’s a really fun addition to the genre and definitely leaves you wanting more.

    The only thing we would have changed? The song “Mother” should have played during the ending credits.

  • Lord of the Flies is being called a descent into horror but reviews of it on Rotten Tomatoes seem to be more horrific

    Lord of the Flies is being called a descent into horror but reviews of it on Rotten Tomatoes seem to be more horrific

    Lord of the Flies has been required reading for generations of high school students. At some point along the way, its popularity may have faded in classrooms, but the story itself never really went anywhere. If anything, it may be more relevant now than it was when it was first handed out as an assignment.


    A recent example of that kind of storytelling connecting again came with Adolescence, a British series that quietly became one of the most talked-about shows on Netflix. It centered around a boy who committed unspeakable acts, and instead of focusing on spectacle, it focused on the aftermath… the family… the uncomfortable reality of it all. It was thought-provoking, difficult, and important.


    And that brings things right back to Lord of the Flies.
    For those who have read the book, nothing about this new adaptation is going to feel shocking.

    The foundation is already known… a group of boys stranded, structure breaking down, power struggles forming, and something darker taking hold. What is new, however, is the way this story is being presented in 2026.
    The latest adaptation of Lord of the Flies arrives as a four-episode limited series, marking the first time the story has been fully explored in a television format.

    The series was written by Jack Thorne and directed by Marc Munden, with each episode focusing on a different central character—Ralph, Piggy, Jack, and Simon.

    The cast is made up largely of unknown young actors, which gives the entire thing a more grounded and unsettling feel.

    The series is adapted by Jack Thorne, the writer behind the stage play “Harry Potter and the Cursed Child” and the Emmy-winning TV series Adolescence,” and directed by his longtime collaborator, Marc Munden.

    “A lot of the time it was utter chaos and we tried to film some of that chaos as well,” says Munden. “It can’t help but be chaos when you’ve got 36 boys under the age of 12.”

    Thorne’s four-part adaptation brings a different character to the forefront in each episode, starting with the rational Piggy, coming to consciousness after the crash and offering a voting-based system that allows everyone a voice. “What we need to do is get a sense of exactly what we know,” he says


    This wasn’t originally a Netflix production.


    The series actually premiered in the United Kingdom on the BBC One and its streaming platform BBC iPlayer back on February 8, 2026. It also found a home in other international markets before eventually landing in the United States. What’s being seen now is the result of Netflix acquiring the U.S. streaming rights, which is why it suddenly appeared as if it just debuted—when in reality, it’s already been out there for a few months.
    So yes… it did already come out.


    Just not here.


    Now that it’s on Netflix, reactions are starting to split in a way that’s almost more interesting than the show itself.
    Some reviewers are calling it a descent into horror, a slow-burn unraveling of humanity under pressure. But what’s becoming clear is that the reactions to the show might be more chaotic than the show itself.


    The top critics—the paid reviewers—are loving it. Scores are sitting comfortably in the 90% range.
    But the general audience?


    That’s a different story.


    At the time of this writing, only about 55% of viewers are landing on the positive side of things. The divide is real. It’s one of those rare cases where the “official” opinion and the “power to the people” opinion are going in completely different directions.
    So the question becomes…


    Which side is right?


    That’s something that will have to be decided after watching it firsthand. And honestly, that might be the most interesting part of all of this. Not just whether the show works—but whether it works for everyone, or only for the people who are paid to say that it does.

  • Some type of very bad trailer just happened

    Some type of very bad trailer just happened

    The Duffer Brothers, fresh from quickly walking away from Stranger Things and whatever that last season was, is moving on to more bad things..

    The trailer for SOMETHING VERY BAD IS GOING TO HAPPEN is now out..

    Created by Haley Z. Boston (Brand New Cherry Flavor, Baby Reindeer), executive produced Matt and Ross Duffer and directed and executive produced by Weronika Tofilska (Baby Reindeer), Something Very Bad Is Going to Happen takes place in the week leading up to a doomed wedding, following the bride and groom. A fuller synopsis reads:

    “If CARRIE is horror’s version of a girl becoming a woman, and ROSEMARY’S BABY is the horrific version of a woman becoming a mother, SOMETHING VERY BAD IS ABOUT TO HAPPEN is horror’s take on a woman becoming a wife. Rachel [Morrone] is getting married in five days. Together with her fiancé, Nicky [DiMarco], she embarks on a road trip to his family’s vacation home, secluded in a snowy forest, for the intimate wedding ceremony of their dreams. Which really would be so lovely, except…prone to superstition and paranoia, Rachel can’t shake the relentless feeling that something bad is going to happen. Her foreboding doubts, coupled with a series of eerie coincidences and dreadful surprises, force her to ask the question: What makes two people soulmates? And worse—what could be scarier than lifelong commitment to the wrong person?”

    That seems to be a very long synopsis that we had to read a few times to really take in.

    But at this point the ultimate viewer reaction to the trailer has been criticism of how DARK the screen was during the entire thing, joking about the camera quality and the Netflix attempt to see how dark peoples’ screens will be during the trailer..

    Something, indeed, is going to be bad. Hopefully not this limited series…

  • The Duffers expand into the Boroughs

    The Duffers expand into the Boroughs

    Netflix has premiered the first photos from its new supernatural mystery drama “The Boroughs” .. it is launching on May 21..

    “Stranger Things” creators the Duffer Brothers are executive producing the series which also has “The Dark Crystal: Age of Resistance” creators Jeffrey Addiss and Will Matthews as showrunners and executive producers.

    The series is set in a retirement community where a group of unlikely heroes must band together to stop an otherworldly threat from stealing the one thing they don’t have… time.

    There are tons of jokes here.. with how long it took STRANGER THINGS to finally get made there is a chance the kids are the same actors in this retirement community..

  • Winona Ryder’s joining the cast of Wednesday 3

    Winona Ryder’s joining the cast of Wednesday 3

    Quite frankly we had no idea after what was unfortunately a lackluster Wednesday 2  there would be a third season..

    But every Wednesday needs its day. There is some exciting news for some fans who are happy to hear that Winona Ryder is joining the cast. It’s undisclosed this time what she will be playing but the Stranger Things series has been kind to her along with the newest Beetlejuice movie.

    This is how Netflix had AI right its announcement:

    Nevermore Academy has flung open its doors to an influx of new and suspicious characters: Winona Ryder (Beetlejuice, Beetlejuice Beetlejuice, Stranger Things), Chris Sarandon (Dog Day Afternoon, The Princess Bride), Noah Taylor (Peaky Blinders, Game of Thrones), Oscar Morgan (A Knight of the Seven Kingdoms, Gotham Knights), and Kennedy Moyer (Task, Roofman). Witness their stomach-churning welcome feast in the video above.

    Developing..

  • The First Shadow coming to Netflix

    The First Shadow coming to Netflix

    There’s been a lot of speculation about what’s next in the Stranger Things universe, and today we may finally have a concrete new piece of the puzzle.


    According to an exclusive report from Collider, the Broadway prequel Stranger Things: The First Shadow is officially being professionally filmed by Netflix for a future release on the platform.
    For fans who haven’t been able to make it to Broadway or the West End, this is big news. Up until now, The First Shadow — which explores the origins of the show’s central villain  has been one of the most inaccessible pieces of the Stranger Things canon. In true Upside Down fashion, it existed… but just out of reach.


    Collider reports that a full week of performances, from Tuesday, February 10 through Saturday, February 14, has been canceled specifically to facilitate filming. Even better, the recorded version will feature the Tony Award–winning production’s original cast, including Louis McCartney, T.R. Knight, Gabrielle Nevaeh, and Alex Breaux. Netflix confirmed late last year that filming would happen, but this is the clearest signal yet that the release is truly on the way.
    This announcement may land differently depending on the type of fan you are.

    A lot of viewers were told — repeatedly — that seeing The First Shadow was almost required viewing before Season 5 of Stranger Things. And yet, many fans walked away from Season 5 feeling that the show didn’t strictly rely on the Broadway storyline after all. That disconnect left some hardcore fans confused about just how “essential” the play really was.


    Still, this is undeniably cool news.


    For those of us who wanted to get to the Broadway show but never quite made it happen, a Netflix release feels like the next best thing. And for the global fan base that simply couldn’t travel to see it, this opens the door in a huge way. Whether it ends up reframing Season 5 or simply adding texture and lore to the Stranger Things universe, making The First Shadow widely accessible feels like a win.


    More answers may still be hiding in the shadows   but at least now, everyone will get a chance to see them.

  • Lets pretend it’s 2016

    Lets pretend it’s 2016

    This morning when I woke up, I noticed that Netflix added a new category to its main page called Let’s Pretend It’s 2016. It features movies and television shows like the Ghostbusters remake, The OA, and of course Stranger Things, since Season 1 appeared ten years ago.


    Seeing that listing was a reminder of just how many things have come and gone on Netflix… and, honestly, how much better things used to feel. Over the last decade, everything seems to have gone downhill. So much of what’s released now feels rushed, made without much care or concern, with lackluster scripts and very few fresh ideas. But go back just ten years, to 2016, and we kind of had it made. We just didn’t know it.


    Back then we were probably complaining that Netflix had already dumbed things down, that there wasn’t much to watch, and that the best entertainment was from ten or twenty years earlier. Little did we realize that here in 2026 we’d be decrying the bad writing of Stranger Things Season 5 and missing shows that were genuinely binge-worthy, not ones you casually glance at on a boring snowy weekend.


    It’s nice to see this category, but it’s also bittersweet. Nostalgia can be one of the most dangerous things… it has a way of creating unrealistic memories of the past. Things weren’t always that great, and tomorrow isn’t always as bad as it seems. But when it comes to entertainment, movies, and television shows on Netflix, things really might be as bad as they feel right now.


    So I guess this weekend, as the snow falls outside, I’ll watch what I watched ten years ago… and maybe it’ll feel new again.