Tag: box office

  • The mysterious Spielberg UFO movie

    The mysterious Spielberg UFO movie

    Steven Spielberg is reportedly making a new movie, and if the rumors are true, it’s going to rock the world of UFO enthusiasts — or at least get their hopes way up. Of course, a lot of that could simply be marketing hype mixed with existential wish-casting. But if there’s anyone who could stir that kind of anticipation, it’s Spielberg. After all, this is the man behind Close Encounters of the Third Kind and E.T. the Extra-Terrestrial — films that didn’t just entertain people, but quietly rewired how an entire generation thinks about alien contact.

    The recent UK Telegraph article describing the project leans heavily into a familiar narrative within UFO culture. One story that always resurfaces is the alleged White House screening of E.T. for Ronald Reagan. Supposedly, when the film ended, Reagan stood up and said — maybe joking, maybe not — that there were people in the room who knew that everything they had just watched was true. Whether that moment actually happened exactly as described almost doesn’t matter anymore. It’s become part of the mythology.

    The new Spielberg film itself is still wrapped in secrecy, but one detail from the article jumped out at me — and I had completely forgotten this — a significant portion of it was filmed in New Jersey. That immediately brings to mind the so-called New Jersey drone sightings that dominated headlines just a year ago and then vanished entirely. Not even below the fold — just gone. But if you talk to people in New Jersey, you’ll hear that the drones never really stopped. They’re reportedly still seen regularly. They’ve just become so common that no one talks about them anymore. Like planes in the sky.

    That’s part of what makes this Telegraph article so fun, and what makes this Spielberg project so intriguing. There’s even a rumor floating around — clearly conspiracy-theory territory — that a real alien might “star” in the movie. Obviously, that’s not happening. For one thing, it would probably violate every Screen Actors Guild rule imaginable, not to mention require the creation of an entirely new galactic union chapter. Unless, of course, the alien is playing itself. Or themselves. Or itself. The grammar alone would be a nightmare.

    THE TELEGRAPH MOCKS:

    Tinfoil hat wearers have reacted with characteristic calmness and sagacity to the news that Spielberg is returning to his sci-fi roots with his new production, filming of which was completed in the summer. It is said to have had several working titles, including The Dish and Non-View, but is now reported to be called Disclosure.

    The new name, if it is correct, would provide “evidence” for the conspiracists that Spielberg knows more than he is letting on – “disclosure” being a key term for the alien truthers. They hold that the American authorities have secret information about UFOs and extraterrestrial life and want it to be publicly revealed, in a process they term “disclosure”.

    Chris Ramsay, a Montreal-based magician who has a YouTube channel devoted to UFO theories, went viral with a tweet in which he most clearly set out the conspiracists’ thinking about Spielberg’s new film. Like any good conspiracy theorist, he described his thesis as something “that’s so crazy it just might be brilliant”.

    Still, the idea is entertaining. And beneath the humor is a more interesting possibility: that Spielberg, over decades of filmmaking, may have become acquainted with enough people in enough rooms to suspect that something is going on. That maybe Reagan wasn’t joking. That maybe E.T. wasn’t just a children’s movie, but a soft disclosure story told in the safest way possible.

    Regardless of what ultimately comes of this new film — whenever it’s released, and whatever it ends up being called — the anticipation is already enormous. The marketing machine seems primed, the speculation is growing, and expectations are high. We have little doubt the movie will be good. And even if it isn’t…

    Well, it’ll still be out of this world.

    (Sorry. I had to make at least one pun.)

  • Fnaf 2 becomes the must see anti holiday movie

    Fnaf 2 becomes the must see anti holiday movie

    Five Nights at Freddy’s Part 2 might not be a Christmas movie, but it’s absolutely the anti-Christmas movie for anyone trying to dodge holiday fluff right now.

    And dodge it they did.
    The fanbase showed up hard and the movie unseated Zootopia 2, pulling in around $63 million domestic and over $100 million worldwide on opening. That’s a lot more than many people expected it to do heading into the post-Thanksgiving, pre-Christmas window. This movie is hot right now in that weird in-between space where people are kind of done with turkeys but not quite ready for carols.

    Domestically, that’s the second-biggest horror opening of the year for Blumhouse–Atomic Monster, after The Conjuring: Last Rites at $84 million. Yesterday’s numbers were solid too, with a drop of about 33%, which is actually better than the 39% drop the first Five Nights at Freddy’s movie took. It’s always an open question whether a film like this can keep that kind of momentum going, but at least for this weekend, it has absolutely blown past a lot of expectations—and even outpaced its own predecessor.

    So, Merry Christmas to Blumhouse and the whole gang at Freddy Fazbear’s.


    If holiday joy isn’t your thing this year, there’s always a killer animatronic waiting for you in the dark.

  • Man Finds Tape, Faces of Death, and the New Age of Viral Horror

    Man Finds Tape, Faces of Death, and the New Age of Viral Horror

    Fangoria Magazine has an interview up right now with Peter Hall and Paul Gandersman, both involved with and creators of a shared found-footage horror film called Man Finds Tape. The Michael Gingold interview is pretty interesting on a few levels, especially if you’ve been watching the found-footage genre evolve since The Blair Witch Project.

    You should give it a read.

    People always say Blair Witch kicked things off, and sure, it definitely lit the fuse. But before that, we had Faces of Death being passed around like contraband in the ’90s. For better or worse, that was the “original” shared footage.. VHS tapes traded among teenagers who half-assumed it was all staged. Little did we realize there was some real footage mixed in with the fake.

    Disturbing when you think about it, right?

    Now we’ve moved from VHS to online, and the style has followed. Man Finds Tape is coming to theaters and digital platforms from Magnet Releasing and stars William Magnuson as Lucas, the operator of a YouTube channel called “Man Finds Tape.” The movie basically examines the way we share this stuff as a society, and how we consume found footage, viral clips, and disturbing imagery… it wraps that idea in an eerie mystery told through different formats.

    And honestly, that’s our real life now. We’re constantly finding things, posting them, and watching social media platforms race to either boost them or pull them down. As this is written, just last night in Harrisburg, Pennsylvania, a bus ran over a person, and yes, there was footage online, on a pretty big social site. The victim was thankfully blurred out, but the comments underneath were less than appealing, to put it mildly. So it’s not just “man finds tape” anymore; it’s everyone live-streaming horrors in real time.

    When something awful happens, our instinct now is to search. We look up the footage, the location, the angles, the aftermath. We want to know everything. I’m not sure what that says about us, but it’s definitely something horror is starting to chew on.

    Peter Hall told Fangoria there are a lot of rabbit holes on the internet, and they wanted to tell a story about someone exploring one of those viral rabbit holes. Paul Gandersman pointed out that for a long time, if you saw bizarre footage, you needed proof that it was real. Now it’s flipped: people automatically assume it’s fake, and you have to prove that it actually happened.

    With AI and all the new tools out there, that tracks. We’re much less willing to accept anything at face value. Show September 11th footage to some kids today with no context, and the first reaction might honestly be, “Is that AI?”

    The film itself sounds pretty interesting. The filmmakers said they worked from a fairly tight script, but there was room for improvisation. They gave the actors permission to find new dialogue or fresh moments in a scene, as long as what they were doing stayed within the structure of the movie. That’s actually pretty cool.. improv in a found-footage style can make the performances feel more natural, and it can open doors to character beats you’d never get in a locked-down script.

    The movie also leans heavily into religion. The filmmakers grew up around Catholicism, with some Judaism mixed in, and there’s a character who plays a reverend who actually grew up in an evangelical community in real life. That kind of background colors the whole atmosphere of the film and religious imagery mixed with found footage and internet horror is fertile ground.

    From the trailer alone, some of the imagery looks like it might be difficult for certain viewers. It leans into that “too real” feeling, where the production value is working against your comfort level by mimicking reality a little too closely. Viewer discretion is obviously advised. But it’s always interesting when horror goes beyond jump scares and actually comments on culture itself.

    The movie has yet to have a lot of user commentary but critics seem to really like it on Rotten Tomatoes.

    We have said before: horror is at its best when it digs deep into the moment we’re living in—our politics, our tech, our habits, and holds up a warped mirror. It lets the monster tell us something about ourselves.

    So in Man Finds Tape, who’s the monster? Whatever’s lurking on the recordings… or the people who keep hitting play?

  • Your theater will go upside down. Good luck on your hunt for tickets

    Your theater will go upside down. Good luck on your hunt for tickets

    Today’s the big day! You can now buy tickets for the finale of Stranger Things in a theater.. I foresee this being a major cultural event..

    We’ve got a grand total of two theaters in Pennsylvania running the Season 5 finale… yep, just two that I could find. One out in Warrington and another all the way over in Clarion, near Pittsburgh.

    Now, maybe this is some kind of strategic move, spreading out the love to suburban and university towns rather than just the big cities. Or maybe it’s not strategic at all, and it just comes down to which theater chains decided to jump on board. Either way, I’m not complaining because I’ve got my ticket in hand. As an example it appears that there’s only two theaters in Pennsylvania showing it, one being a suburb of Philadelphia and the other being Clarion. Clarion smart because there’s University there maybe that’s the goal. Not sure if it’s strategic or just by accident where the theaters were chosen..

    My plan? Well, I’m turning off the entire digital world from 8 p.m. on New Year’s Eve until I’m back from the theater on New Year’s Day. That means no social media, no Twitter, no Facebook, no updating my site.. nothing. I’m going full digital hibernation mode because I do not want a single spoiler before I see that finale on the big screen.

    And sure, some folks might say going to a theater for a TV show is a bad idea. They’ll say you’ll be surrounded by loud, obnoxious people. But come on, if you’re heading out to see Stranger Things in a theater, you’re probably just as much of a fan as everyone else in the room. We’ll all be there to laugh, cry, cheer, and maybe even dress up like a Demogorgon or two. It’s going to be a shared experience, and honestly, that’s the fun of it.

    So good luck if you’re hunting for tickets. It’s limited, it’s special, and if you do find a seat next to me, just give me a little elbow room and don’t throw popcorn.. unless it’s at a really scary part.

  • WEIRD and WICKED wins

    WEIRD and WICKED wins

    So we are all really weirded out by Ariana Grande and Cynthia Erivo making their rounds promoting WICKED FOR GOOD..but hey, maybe weird worked!

    The box office has been thankful for the oddity..

    Universal Pictures‘ musical sequel “For Good” swept up a spectacular $68.6 million across Friday and preview screenings from 4,115 locations in North America. That puts it on pace for a $151.5 million opening weekend through Sunday.

    It’d be the biggest release ever for a Broadway adaptation and the second-biggest ever for a Universal release, only behind “Jurassic World.”

    It’s also well ahead of the $112 million haul that the first “Wicked” debuted to in the same pre-Thanksgiving frame last year. If the Cynthia Erivo and Ariana Grande film hits its current projections, it’ll rank among the biggest domestic openings of the year, currently led by “A Minecraft Movie” ($162 million) and the “Lilo & Stitch” remake ($146 million).

    So … how about that!

  • Little gremlins will return in 2027

    Little gremlins will return in 2027

    There have been rumors for years—maybe decades—about another Gremlins movie. Every so often, whispers would pop up online and then fade away. Well, it looks like this time it’s actually happening. Several entertainment outlets are now reporting that a new Gremlins film is officially on the way, with a planned release sometime in 2027.

    Chris Columbus is reportedly returning to lead the project, and Steven Spielberg will also be involved, which makes the entire thing feel like a genuine continuation of the franchise rather than a cash-grab reboot. That alone gives fans a reason to be optimistic.

    Details are being kept under wraps for now—no confirmed plot, no confirmed cast, nothing concrete beyond the creative team. But if this is moving forward the way it’s being discussed, we’ll definitely be getting more updates in the coming months.

    Honestly, the biggest shock might not even be that Gremlins is coming back…it’s realizing that 2027 is only two years away. Time is moving fast. Maybe too fast. But hey—if we’re speeding into the future, at least we’re bringing the Mogwai with u

  • From the numbers being seen, there’s a good chance that you did not go to the movies this October

    From the numbers being seen, there’s a good chance that you did not go to the movies this October

    Empty theaters. Empty seats. If you’ve stepped foot into a movie theater lately — or more likely didn’t — you’ve probably noticed that the box office has been looking a little bleak this October. And no, it’s not because there weren’t Halloween movies to go see. Even the horror releases, which usually carry October, are crawling.

    In fact, people just aren’t going to the movies at all.

    Domestic box office revenue for October 2025 is expected to land somewhere around $425 million — which makes this the worst October in 27 years, according to Comscore. The only exception is October 2020, when nearly every theater was closed and the world was in pandemic lockdown, and even then Christopher Nolan’s Tenet still dragged in $55 million on its own.

    But if we remove 2020 from the conversation, the last time October was this low was 1997, when ticket sales landed at $385 million — and remember, that’s not adjusted for inflation. By 1999, October box office had broken the $600 million mark. Back then, movie theaters were packed. Today? We’re looking at showtimes where you could shout across the auditorium and no one would tell you to be quiet.

    So what happened?

    You can’t blame COVID anymore. You can’t say “people just didn’t know what was in theaters.” Everyone knows what’s out — they’re just… choosing not to go. Streaming habits, pricing, quality of films, people not wanting to gamble $17 on something they may not like — it’s a cocktail of issues.

    At this point, AMC might need to call Nicole Kidman back and tell her to film a sequel to the “Heartbreak Feels Good” spot. Maybe this time she’s just sitting in a totally empty theater whispering, “We come to this place… alone.”

    Because right now?

    It’s a ghost town out there.

  • Sinners gets a Halloween limited re release

    Sinners gets a Halloween limited re release

    You have another chance to see the movie in theaters..

    Starting on October 30 for one week only, Sinners will play in IMAX at select locations across the country, marking the second IMAX re-release of the R-rated horror since its release in April of this year.

    Sinners, currently the biggest original Hollywood movie since Christopher Nolan’s Inception, stars Michael B. Jordan as troubled twin brothers Smoke and Stack, who return to their hometown of Clarksdale, Mississippi to start again after almost a decade working for the mob, only to discover that an even greater evil is waiting to welcome them back.

  • Black Phone 2 rings off the hook at box

    Black Phone 2 rings off the hook at box

    The Black Phone 2 took the top spot at the weekend box office, marking a much-needed success for Blumhouse Productions. After a series of stumbles, this sequel proves that horror — when done with grit and style — still packs a punch with audiences.

    The movie is connecting with several demographics, from teens to longtime fans of the first film. It’s eerie, tense, and grounded — the kind of horror Blumhouse built its reputation on.

    According to The Hollywood Reporter, Scott Derrickson’s The Black Phone 2 delivered horror maestro Jason Blum a major win, opening to a better-than-expected $26.5 million domestically from 3,411 theaters and $15.5 million from 72 international markets, for a global debut of $42 million.

    Not bad for a film made on a relatively modest $30 million budget.

    The movie’s debut follows a string of misses for the Universal-based banner — including the pricey flop M3GAN 2.0 earlier this year — making this victory especially sweet for Blumhouse.

    If the studio can keep the momentum going, the next big win could come from Five Nights at Freddy’s Part Two, which already has massive fan anticipation building online.

    For now, though, The Black Phone 2 is ringing loud and clear — and audiences are answering.

  • A Devil of a Hit: The Conjuring: Last Rites

    A Devil of a Hit: The Conjuring: Last Rites

    The Conjuring: Last Rites has stormed into theaters and, according to estimates, scored a devilish $75+million at the box office in its very first weekend. That’s not just impressive but it also makes the film the number one horror release of the year, right out of the gate.

    Move over SINNERS.. and hold the WEAPONS.. there is a new crown as the genre’s breakout hit. But with Last Rites arriving at the start of September, just as cooler air and autumn vibes start to set in, maybe the timing played a role? Did the movie ride that seasonal wave, or does it truly have the staying power to compete long-term with the biggest names of the year? Week two will tell.

    Deadline said that a big slice of the audience included women and Hispanic men and women, a demographic pull that may be connected to the movie’s religious themes and the enduring cultural fascination with faith, demons, and exorcisms.

    For now, all eyes are on whether those opening-weekend chills turn into a sustained scream at the box office. But one thing is certain: thanks to Ed and Lorraine Warren’s legacy, The Conjuring franchise still knows how to scare up big numbers.