Tag: box office

  • Stick a fork in He-Man

    Stick a fork in He-Man

    Masters of the Universe is officially flopping at the box office.

    The $170M-plus He-Man reboot is opening with a measly proejected $31.1M domestically, landing at the bottom of expectations and below even early hopes of $50 mil..

    Timing was ill fated .. this is a March movie not a summer blockbuster. The older generation can’t convince their kids to like this … Kids minds have moved on and the success of He-Man was a perfect place and perfect time setting, not one that crosses decades..

    The advertising money didn’t do much to save this .. nostalgia for the 80s is over and the film came too late to capitalize on a growing middle age of people–a set of people that are also tired of their own past..

    Can we blame Jared Leto? Nah.. it was never meant to be no matter who was cast..

    Meanwhile SCARY MOVIE 6 with the Wayans back is warning over $50 mil and will be the top film of the weekend..

    Developing..

  • The rumors that Kane Parsons didn’t know what he was doing on Backrooms seem to be utterly ridiculous

    The rumors that Kane Parsons didn’t know what he was doing on Backrooms seem to be utterly ridiculous

    What started as a bizarre internet creepypasta and YouTube phenomenon has now turned into one of the most anticipated horror films of the summer. Backrooms, directed by young filmmaker Kane Parsons, is being predicted to have a potentially big box office weekend coming..

    Parsons, known online for his eerie Backrooms videos that exploded in popularity on YouTube, managed to turn a simple concept of endless yellow hallways and mundane existential dread into a full-fledged feature film backed by a24films..

    Some internet users began speculating that Parsons did not truly direct the film himself and that someone else may have secretly taken over production behind the scenes.

    The rumor spread across social media quickly, with some people claiming that a young creator like Parsons could not have realistically handled a movie of this scale.


    Mark Duplass spoke out.. he pushed back on those claims and defended Parsons. Duplass confirmed that Kane Parsons absolutely directed the film and that the speculation was absurd.

    @duplassmark

    You may like the movie. You may not. But you should know that Kane Parsons is the one and only director of THE BACKROOMS.

    ♬ original sound – Mark Duplass

    In many ways, the rumors almost speak to the disbelief some people still have that a young internet creator could successfully transition from YouTube horror shorts into a major theatrical release. But Parsons already proved with his online work that he understands atmosphere, tension, and the kind of surreal horror that modern audiences connect with.


    In the end, Backrooms represents something bigger than just another horror movie release. It is yet another example of internet culture and independent creators finding their way into mainstream Hollywood.

    What started as grainy videos uploaded online may now become one of the surprise horror success stories of the year.

  • People obsessed with OBSESSION

    People obsessed with OBSESSION

    And rightfully so!!

    Read our review here..

    In its second week, low budget horror OBSESSION is doing the unthinkable: RISING at the box!

    For Memorial Day weekend, the film is now expected to finish with an amazing +16% hike in its 3-day for a near $20M second weekend and 4-day of $24.8M and 11-day cumulative of $55.1M. If those numbers stick, Obsession will be +18% ahead of Longlegs at the same point in time..

    Here are some more internal reported numbers.

    More women are showing up now at 51% versus 41% in the pic’s opening weekend, however guys like this battle of the sexes movie a little more, with a slightly higher definite recommend, 75% to 73%

    DEVELOPING..

  • If He-Man fails of the box office you sure can’t blame the marketing campaign!

    If He-Man fails of the box office you sure can’t blame the marketing campaign!

    As we’ve written before, we’re still not sure if the He-Man movie coming out in June is going to do well or not. But if it doesn’t do well, you certainly can’t blame the advertising team, because they are doing a heck of a job promoting the crap out of this movie.

    Now, in the run-up to the film, some absolutely amazing Masters of the Universe posters have been released, with 18 character posters produced so far. Some fans have complained that the movie itself doesn’t seem to have the bright colors and visual style of the classic cartoon, but these posters showcase a beautiful array of colors, scenery, and character designs that look very much inspired by the 1980s comic series and classic action figures.

    The posters feature Nicholas Galitzine as He-Man, Jared Leto as Skeletor, Camila Mendes as Teela, Idris Elba as Man-At-Arms, Alison Brie as Evil-Lyn, Morena Baccarin as the Sorceress, Jóhannes Haukur Jóhannesson as Fisto, James Purefoy as King Randor, Charlotte Riley as Queen Marlena, Kristen Wiig as the voice of Roboto, James Wilkinson as Mekaneck, and Hafþór Júlíus Björnsson as Goat Man.

    At this point, the fandom is definitely alive and well, but a large portion of that fandom is made up of Gen Xers and millennials who grew up with these characters. Let’s hope the posters and the movie itself connect with younger audiences as well, because if they do, Masters of the Universe could become something much bigger than just a nostalgia trip.

    Meet the characters of Masters of the Universe with a series of 18 new character posters:

    • Nicholas Galitzine as He-Man
    • Jared Leto as Skeletor
    • Camila Mendes as Teela
    • Idris Elba as Man-At-Arms
    • Alison Brie as Evil-Lyn
    • Morena Baccarin as the Sorceress
    • Jóhannes Haukur Jóhannesson as Fisto
    • James Purefoy as King Randor
    • Charlotte Riley as Queen Marlena
    • Kristen Wiig as the voice of Roboto
    • James Wilkinson as Mekaneck
    • Hafþór Júlíus Björnsson as Goat Man
    • Kojo Attah as Tri-Klops
    • Jon Xue Zhang as Ram-Man
    • Sam C. Wilson as Trap Jaw
    • James Apps as Spikor
    • Beast Man
    • Battle Cat

    Based on the classic Mattel toy line, the sci-fi action-adventure film opens in theaters — including Dolby Cinema, 4DX, and D-BOX — on June 5 via Amazon MGM Studios.

    After being separated for 15 years, the Sword of Power leads Prince Adam back to Eternia, where he discovers his home shattered under the fiendish rule of Skeletor. To save his family and his world, Adam must join forces with his closest allies, Teela and Man-At-Arms, and embrace his true destiny as He-Man — the most powerful man in the universe.

    Travis Knight (Bumblebee) directs from a script by Chris Butler (ParaNorman), Aaron & Adam Nee (The Lost City), and David Callaham (Shang-Chi and the Legend of the Ten Rings).

    Todd Black, Jason Blumenthal, Robbie Brenner, Steve Tisch, and DeVon Franklin produce, with Ynon Kreiz, Bill Bannerman, and David Bloomfield serving as executive producers.

    Mattel launched Masters of the Universe with a toy line in 1982 followed by the “He-Man and the Masters of the Universe” cartoon from 1983-1985. The franchise now includes multiple animated series, toy lines, comics, video games, and books, along with a 1987 live-action film.

  • Of toys and tribulations; predictions for the HE-MAN toy line and movie profitability

    Of toys and tribulations; predictions for the HE-MAN toy line and movie profitability

    Before the new Masters of the Universe movie even arrives in theaters, one of the biggest questions surrounding the entire project may not actually be about the movie itself. It may be about toys… and whether kids even want them anymore in the modern era.


    For years now, it feels like adult collectors have completely changed the toy industry. Every time a major toy line comes out, shelves are emptied by collectors, resale prices are inflated online, and the toys themselves become collectibles instead of actual toys for children. It has happened with Star Wars, Transformers, GI Joe, wrestling figures, retro reissues, and countless others. Parents sometimes walk into stores only to discover the shelves already raided by adults hunting rare variants and exclusives before kids even had a chance to see them.


    That is what makes the current strategy from Mattel so interesting. It appears a conscious effort is being made to divide the line between collector products and kid-focused products. The larger premium collectibles and nostalgia-driven exclusives are still being made for longtime fans, while more affordable figures in the lower price ranges are reportedly being aimed directly at children and families. In a strange way, a moral position almost seems to be getting taken here… toys should still belong to kids.
    That approach may end up being one of the smartest things Mattel has done with Masters of the Universe in decades.


    But the larger mystery remains the same… will modern kids even embrace He-Man?


    That question becomes more complicated when it is remembered that younger audiences today have grown up in a completely different entertainment landscape than children from the 1980s. The imagination-driven era of after-school cartoons, toy aisles filled wall-to-wall with action figures, and playground mythology has largely been replaced by TikTok clips, YouTube personalities, anime, streaming services, Roblox, Minecraft, and endless fast-moving digital entertainment.

    A child born after 2011, or especially after 2020, may not automatically connect with a giant sword-and-sorcery fantasy mythology the same way older generations once did.


    There was a certain imagination attached to the 1980s that still carries enormous nostalgic power. He-Man and the Masters of the Universe existed in a colorful world filled with strange creatures, giant castles, cosmic battles between good and evil, and larger-than-life personalities. The sincerity of it all was part of the appeal. It was not ironic. It was not ashamed of itself. Eternia was simply allowed to be strange.


    The concern now is whether that kind of mythology still works in the modern age… or whether its time has long passed.


    Reportedly carrying a budget somewhere between $170 million and $200 million, the new film is not being treated like a niche experiment. A massive theatrical rollout is expected, with projections pointing toward a wide release in roughly 3,500 to 4,000 theaters when the film arrives on June 5, 2026. The runtime is also being reported at approximately 132 minutes, making it a fairly lengthy fantasy blockbuster.

    But we are already hearing about early pre-sales that are not meeting their target.


    That runtime may become part of the problem.
    A prediction is going to be made here… the movie will probably have a decent opening weekend fueled by nostalgia, curiosity, and longtime fans, but may ultimately fall flat afterward. Toy sales for the kid-focused line may also end up weaker than expected, while adult collectors will likely scoop up the premium and nostalgia-driven figures almost immediately. Of course, reality may prove this prediction completely wrong, and honestly it would be great if that happened. A genuine new He-Man sensation taking over pop culture again would actually be pretty incredible to witness.


    Still, there is skepticism.


    The movie may simply be too long to fully appeal to younger children unless the pacing is nonstop action from beginning to end. But at the same time, constant action for over two hours involving characters that many kids have never seen before could become overwhelming rather than exciting. Modern audiences, especially younger viewers, often need emotional anchors before they become invested in giant fantasy worlds. If there is no attachment to the characters themselves, endless spectacle can start to blur together.


    That may be the biggest challenge facing Eternia in 2026.


    Adults already care about He-Man. Adults already understand Skeletor, Castle Grayskull, Battle Cat, and the mythology. But the future of the franchise will not really be decided by nostalgia-driven collectors. It will be decided by whether children begin asking for the toys, pretending to be the characters, wearing the shirts, arguing about who is stronger, and carrying Eternia into an entirely new generation.


    That is the real test.


    And right now, nobody truly knows whether Masters of the Universe is about to become the next great fantasy revival… or simply another relic of the 1980s trying one last time to survive in a completely different world.

  • Regal going all in on HE-MAN

    Regal going all in on HE-MAN

    Over two hours strong… The Masters of the Universe movie is set to rock or TANK at the June box …

    Regal Cinema is banking on bank..

    They are unleashing a wave of images showcasing products people can get when they see the film…

    Will it work!?

  • ACME.. Warner.. Warner .. Acme… so many similarities?

    ACME.. Warner.. Warner .. Acme… so many similarities?

    For years, the Road Runner has been uncaught because of defective products from ACME.. Wile E. Coyote never had a chance..

    Will Forte will now represent.

    This movie has been shelved for a long time but later this summer, on August 29, it is finally being released into theaters..

    Deadline reports, while Warner Bros. long ago completed and tested the film, also starring John Cena and Lana Condor, they shelved it all the way back in the fall of 2023 amid rampant cost-cutting efforts led by Warner Bros. Discovery CEO David Zaslav. The move ignited outrage not only among the film’s key creatives, but across Hollywood at large, leading the studio to shop the project. Multiple studios placed bids, but Ketchup Entertainment wound up landing the project in a deal valued at around $50M, as we first reported last March.

    It was shelved in 2023 when WBD CEO David Zaslav decided to cancel it – along with a number of other films and shows – in order to receive a tax write-down.

    Even Will Forte said at the time, “My thoughts were that it’s f–king bulls–t. It is such a delightful movie. It deserves so much better than it got,” he said. “I can not tell you possibly why the decision was made to not release it. But it makes my blood boil.”

    As the movie finally sets on releasing, let’s not forget the LONE PROTESTER outside of Warner who wanted to bring attention to the movie not being released!


    The people who begged for this movie better go see it in theaters. This isn’t just a movie anymore, it’s a message to big movie companies!

  • Critics can’t stop Michael

    Critics can’t stop Michael

    Michael Jackson’s biopic movie maybe the worst reviewed Michael movie from critics since Michael Myers and Halloween ..but guess what, it doesn’t seem to matter anymore. Their voices have become meaningless!

    (more…)
  • Faces of a box office dud

    Faces of a box office dud

    Faces of Death cost about $7 million dollars to make and made under $2 million dollars in his opening weekend it’s about 1600 theaters. Probably safe to consider the Flop but a modest flop, but with some very bad reviews..

    But thanks to the Super Mario Brothers with some more huge numbers the American box office is rocking and rolling early that year..

    It was never expected to soar high but horror fans not liking it much sure didn’t help.

    It solidifies for good that when people hear about Faces of Death they’ll think about the 1970s and 80s macabre version as opposed to this new incarnation train wreck..

  • FACE OF DEATH WEEKEND

    FACE OF DEATH WEEKEND

    The Super Mario Galaxy Movie which is posting $18.7 million Friday on its way to a $71M three-day total at 4,284 theaters, off 46% week over week, will end up being the number 1 film for the weekend again..

    FACES OF DEATH doesn’t stand a chance to get that big..

    As a matter of fact, FACES OF DEATH has received little media attention.. little advertising.. little notoriety besides on horror sites or genre forums..

    And those horror sites have not been too nice..

    Bloody Disgusting wrote:

    Smart commentary and a clever approach get Faces of Death off to a strong start, but it lacks the conviction to see its bolder ideas through to its forgettable and far too conventional end. Whereas watching the 1978 film felt like a rite of passage, this update superficially wades into ideas already covered more chillingly in films like Red Rooms.

    Others have not been nicer..

    It is getting a less than stellar opening reception on ROTTEN TOMATOES..

    Faces of Death opens in 1,600 movie houses…