Tag: movies

It was good!

There may be some spoilers here. Maybe not. That’s kind of the nature of this one.

First off, there are people far smarter than us—or at least people who say they are—who have already broken this film down and latched onto the meaning behind the title. Undertone isn’t just a name. It’s the entire point.

Our main protagonist, Evie, is the host of the Undertone podcast alongside Justin. The premise is simple enough: they’re playing ten anonymous audio files sent in by someone who refuses to explain who they are or why they sent them. Evie plays the skeptic, Justin leans into belief, and together they perform that balance for the show.

But as the movie unfolds, it becomes clear Evie isn’t really a skeptic. She’s hiding.

She’s masking fear, depression, and something deeper that she doesn’t want to confront. When she finds out she’s pregnant, the film quietly reveals another layer… this is not a joyful moment for her. It’s unwanted. And just like the recordings being forced into her life, it’s something she didn’t ask for but now has to face.
From there, the movie settles into a slow, uncomfortable rhythm. We’re introduced to distorted audio, demonic undertones buried in nursery rhymes, and recordings that feel wrong in ways that are hard to explain. It’s not about what you hear. It’s about what you don’t hear. The silence. The gaps. The suggestion that something is just beneath the surface.

At the same time, Evie’s mother is dying.

And this is where the movie starts to hit differently.

While her mother fades in the next room, Evie retreats into headphones, noise cancellation, and the world of the podcast. She’s drowning out reality while simultaneously immersing herself in something just as disturbing. It’s not just avoidance… it’s a form of coping. Or maybe it’s a form of surrender.
A lot of people have analyzed this film and pulled meaning from it. There are layers here, and most of them are subtle. But the last ten minutes? Subtle is gone.

The final stretch is chaotic. Loud. Disjointed. Almost overwhelming.

The movie has been quiet for so long, relying on tension and sound design instead of cheap jump scares. Then suddenly, everything breaks. It mirrors Evie’s emotional collapse as her mother’s death rattle fills the room. It’s uncomfortable, messy, and confusing… just like grief.

Everyone is going to walk away from Undertone with a different interpretation. But if you’ve ever cared for someone who was dying, this movie is going to land in a way that’s hard to shake. You hide from it. You distract yourself. You consume media that somehow reflects what you’re going through, hoping to find meaning in the pain.

That’s the undertone of this film… PAIN.

Evie isn’t a skeptic because she doesn’t believe. She’s a skeptic because she needs to be. Because believing means confronting everything she’s trying to avoid.

And in the end, loss doesn’t come cleanly. It comes with agony, confusion, fear, and despair.
This movie has all of it.

Like we said… we watched Undertone so you don’t have to. But honestly, you probably should.

It may not be the “scariest movie of the year” like every trailer claims these days, but it might be one of the most effective. And depending on where you are in life—whether you’ve experienced loss or you’re in the middle of it—the undertone of this film might hit you harder than anything else you’ll see this year.