Tag: movies

  • FACE OF DEATH WEEKEND

    FACE OF DEATH WEEKEND

    The Super Mario Galaxy Movie which is posting $18.7 million Friday on its way to a $71M three-day total at 4,284 theaters, off 46% week over week, will end up being the number 1 film for the weekend again..

    FACES OF DEATH doesn’t stand a chance to get that big..

    As a matter of fact, FACES OF DEATH has received little media attention.. little advertising.. little notoriety besides on horror sites or genre forums..

    And those horror sites have not been too nice..

    Bloody Disgusting wrote:

    Smart commentary and a clever approach get Faces of Death off to a strong start, but it lacks the conviction to see its bolder ideas through to its forgettable and far too conventional end. Whereas watching the 1978 film felt like a rite of passage, this update superficially wades into ideas already covered more chillingly in films like Red Rooms.

    Others have not been nicer..

    It is getting a less than stellar opening reception on ROTTEN TOMATOES..

    Faces of Death opens in 1,600 movie houses…

  • Jamie Lee Curtis they wrote

    Jamie Lee Curtis they wrote

    Well this announcement may not be too exciting to every generation people over a certain age will highly anticipate Jamie Lee Curtis starring in a Murder She Wrote movie coming out in December of 2027

    Jamie Lee Curtis’ “Murder, She Wrote” adaptation has tapped “Pitch Perfect” and upcoming “Legally Blonde” prequel director Jason Moore is going to direct ..

    Disappears to be a very Niche movie idea. Jamie Lee Curtis obviously has the horror movie cred and many people who are not alive anymore fondly would recall Angela Lansbury giving us a weekly mystery murder show. We’ll see how it works..

  • ‘undertone’ being released into theaters that will make it sound great

    ‘undertone’ being released into theaters that will make it sound great

    Written and directed by breakout horror filmmaker Ian Tuason, undertone follows the host of a popular paranormal podcast who becomes haunted by terrifying recordings mysteriously sent her way.

    More from their press:

    undertone plunges audiences into a terrifying soundscape and partnering with A24 to bring this chilling cinematic experience to Dolby Cinema allows audiences to experience every whisper, silence, and scream in Ian Tuason’s film,” said Jed Harmsen, VP & General Manager of Cinema & Group Entertainment, Dolby Laboratories. “Immersive Dolby Atmos sound will reveal greater details in each scare in this auditory horror film while the precision of the Dolby Vision picture quality provides sharper clarity in the darkness, making a suspenseful experience like no other.”

    Dolby Cinema early access screenings will take place on March 9, prior to the nationwide theatrical release in other formats on March 13.

    Fans can see the film early with tickets here: https://undertone.movie/

  • The Passion of Mel Gibson’s Resurrection

    The Passion of Mel Gibson’s Resurrection

    Mel Gibson is consulting with excommunicated Archbishop Carlo Maria Viganò — who has called the late Pope Francis “a servant of Satan” — for the “The Resurrection of the Christ,” his follow up to 2004’s “The Passion of the Christ” that is currently still shooting in Italy.

    Viganò, who is the Vatican’s former ambassador to the United States, was excommunicated in 2024 for refusing to recognize Pope Francis’ authority and rejecting the Second Vatican Council that modernized the Roman Catholic Church. He has repeatedly referred to Francis as a liberal “servant of Satan” and a “false prophet” in public statements. Viganò is also known to be a big fan of U.S. President Donald Trump, a critic of gay rights and a supporter of anti-vaccine positions

    MORE..

  • UNDERTONE seems the perfect tone for Friday the 13th

    UNDERTONE seems the perfect tone for Friday the 13th

    A new movie coming out on March 13th .. which, incidentally, is a Friday. Perfect timing .. is Undertone. It looks to be a really cool psychological horror movie about a podcast.


    Undertone follows Evy, the co-host of a paranormal podcast who has built her brand on skepticism while her partner leans into belief. When Evy returns home to care for her dying mother, she begins receiving a series of mysterious audio recordings from an anonymous source. The recordings, said to be captured by a married couple experiencing strange phenomena in their home, contain unsettling sounds that defy easy explanation.


    As Evy listens to each new file, the line between the recordings and her own reality begins to blur. The noises seep into her waking life, triggering paranoia, obsession, and a creeping sense that something is not just being heard… but responding. Rather than relying on gore or traditional jump scares, Undertone appears to lean heavily into atmosphere and sound design — turning audio itself into the weapon. It’s psychological horror rooted in suggestion, implication, and the terrifying power of what we can’t quite understand.


    This movie looks really good. It has a great tone, a strong concept, and the potential to be something special. One of my favorite liminal horror films of the last 20 years has been Pontypool. That movie centered on a radio host during a strange outbreak, where words themselves began to unravel and reality started slipping through language. The horror wasn’t about gore or blood, it was about the ticking time bomb of strangeness inside your own brain, the kind you can’t quite process.


    The trailer for this new film seems to carry a bit of that same energy .. and hopefully a lot more. The idea of a podcast serving as the framework for a modern horror story feels incredibly timely.

    We’ll avoid walking under ladders and crossing paths with black cats on Friday the 13th… but we definitely won’t be avoiding this movie.

  • CLAYFACE movies closer to a Halloween release

    CLAYFACE movies closer to a Halloween release

    ‘DC is moving into the horror world at the box office with a comic book horror movie Clayface..

    That movie had been set for theatrical release via Warner Bros. on September 11, 2026.

    Clayface will now release in theaters on October 23, 2026.

    A lot of people didn’t really even know this was being made.. The movie is being compared to David Cronenberg’s The Fly and centers on an actor who injects himself with a substance to remain relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.

    And the best part of all? It is a Mike Flanagan project! He did the screen play.. Even James Gunn said that he was not changing the sreenplay and he was a Flanagan fan himself.

    But why isn’t Flanagan at the helm? Being too busy..

    Flanagan’s commitment to other projects, including his take on Carrie, ultimately forced him to step back just as DC Studios was ready to fast-track the movie..

    Back in November 2025, SCREEN RANT talked to Flanagan.. Flanagan said he was inspired by Batman: The Animated Series, specifically the two-part episode “Feat of Clay,” featuring Ron Perlman as the voice of the tragic villain.

    “No, when we first started talking about Clayface, I hadn’t seen what Matt [Reeves] was up to. So it went all the way back to ‘Feat of Clay’, that incredible two-parter with Ron Perlman voicing the character, which was so formative for me as a kid,” Flanagan told Screen Rant.

  • High hopes for zombie bones at the cold box office

    High hopes for zombie bones at the cold box office

    Deadline is among those reporting that this weekend there’s expectations that 28 Years Later will unseat Avatar from the box office.

    It’s a four-day weekend for Hollywood and there’s hopes that the newest zombie flick will make more than 20 million. And you know what, the movie Primates didn’t do half bad last week so maybe in these cold January weeks we still love and have that affinity for horror.

    Bone Temple releases  Wednesday in the UK, France, Belgium and Indonesia, then in Australia/New Zealand, Brazil, Germany, Mexico, Italy, Netherlands and Saudi Arabia on Thursday, followed by Japan, Poland and Spain on Friday. That’s a 98% offshore footprint, except Korea and Thailand…

  • We finally know what disclosure day might look like

    We finally know what disclosure day might look like

    There’s been so much of a veil of secrecy surrounding this new Steven Spielberg movie that even now, with the trailer finally revealed, it still feels like we’re not getting the full story of what this film is really about. That said, we definitely know more than we did before.

    And apparently, this is officially a summer event movie.

    The film is titled Disclosure Day, and it stars Emily Blunt as a Kansas City TV meteorologist. She’s joined by Josh O’Connor, who plays a passionate UFO whistleblower.

    Here’s the official description:

    “An uncanny exploration of an alien invasion as initially experienced by a meteorologist (Emily Blunt) and a passionate UFO whistleblower (Josh O’Connor) who want to share the truth with the world all at once.”

    The movie hits theaters on June 12, 2026.

    The trailer is genuinely cool—we’ll link it below—and after watching it, I think it’s fair to say this could end up being the most hyped movie of 2026. That doesn’t necessarily mean it’ll be the best movie of the year…
    —or, on the other hand, it could turn out to be one of the best films Steven Spielberg has ever spearheaded.

    Either way, I can’t wait to see more. Because based on what we’ve seen so far, this looks really promising.

  • The mysterious Spielberg UFO movie

    The mysterious Spielberg UFO movie

    Steven Spielberg is reportedly making a new movie, and if the rumors are true, it’s going to rock the world of UFO enthusiasts — or at least get their hopes way up. Of course, a lot of that could simply be marketing hype mixed with existential wish-casting. But if there’s anyone who could stir that kind of anticipation, it’s Spielberg. After all, this is the man behind Close Encounters of the Third Kind and E.T. the Extra-Terrestrial — films that didn’t just entertain people, but quietly rewired how an entire generation thinks about alien contact.

    The recent UK Telegraph article describing the project leans heavily into a familiar narrative within UFO culture. One story that always resurfaces is the alleged White House screening of E.T. for Ronald Reagan. Supposedly, when the film ended, Reagan stood up and said — maybe joking, maybe not — that there were people in the room who knew that everything they had just watched was true. Whether that moment actually happened exactly as described almost doesn’t matter anymore. It’s become part of the mythology.

    The new Spielberg film itself is still wrapped in secrecy, but one detail from the article jumped out at me — and I had completely forgotten this — a significant portion of it was filmed in New Jersey. That immediately brings to mind the so-called New Jersey drone sightings that dominated headlines just a year ago and then vanished entirely. Not even below the fold — just gone. But if you talk to people in New Jersey, you’ll hear that the drones never really stopped. They’re reportedly still seen regularly. They’ve just become so common that no one talks about them anymore. Like planes in the sky.

    That’s part of what makes this Telegraph article so fun, and what makes this Spielberg project so intriguing. There’s even a rumor floating around — clearly conspiracy-theory territory — that a real alien might “star” in the movie. Obviously, that’s not happening. For one thing, it would probably violate every Screen Actors Guild rule imaginable, not to mention require the creation of an entirely new galactic union chapter. Unless, of course, the alien is playing itself. Or themselves. Or itself. The grammar alone would be a nightmare.

    THE TELEGRAPH MOCKS:

    Tinfoil hat wearers have reacted with characteristic calmness and sagacity to the news that Spielberg is returning to his sci-fi roots with his new production, filming of which was completed in the summer. It is said to have had several working titles, including The Dish and Non-View, but is now reported to be called Disclosure.

    The new name, if it is correct, would provide “evidence” for the conspiracists that Spielberg knows more than he is letting on – “disclosure” being a key term for the alien truthers. They hold that the American authorities have secret information about UFOs and extraterrestrial life and want it to be publicly revealed, in a process they term “disclosure”.

    Chris Ramsay, a Montreal-based magician who has a YouTube channel devoted to UFO theories, went viral with a tweet in which he most clearly set out the conspiracists’ thinking about Spielberg’s new film. Like any good conspiracy theorist, he described his thesis as something “that’s so crazy it just might be brilliant”.

    Still, the idea is entertaining. And beneath the humor is a more interesting possibility: that Spielberg, over decades of filmmaking, may have become acquainted with enough people in enough rooms to suspect that something is going on. That maybe Reagan wasn’t joking. That maybe E.T. wasn’t just a children’s movie, but a soft disclosure story told in the safest way possible.

    Regardless of what ultimately comes of this new film — whenever it’s released, and whatever it ends up being called — the anticipation is already enormous. The marketing machine seems primed, the speculation is growing, and expectations are high. We have little doubt the movie will be good. And even if it isn’t…

    Well, it’ll still be out of this world.

    (Sorry. I had to make at least one pun.)

  • Fnaf 2 becomes the must see anti holiday movie

    Fnaf 2 becomes the must see anti holiday movie

    Five Nights at Freddy’s Part 2 might not be a Christmas movie, but it’s absolutely the anti-Christmas movie for anyone trying to dodge holiday fluff right now.

    And dodge it they did.
    The fanbase showed up hard and the movie unseated Zootopia 2, pulling in around $63 million domestic and over $100 million worldwide on opening. That’s a lot more than many people expected it to do heading into the post-Thanksgiving, pre-Christmas window. This movie is hot right now in that weird in-between space where people are kind of done with turkeys but not quite ready for carols.

    Domestically, that’s the second-biggest horror opening of the year for Blumhouse–Atomic Monster, after The Conjuring: Last Rites at $84 million. Yesterday’s numbers were solid too, with a drop of about 33%, which is actually better than the 39% drop the first Five Nights at Freddy’s movie took. It’s always an open question whether a film like this can keep that kind of momentum going, but at least for this weekend, it has absolutely blown past a lot of expectations—and even outpaced its own predecessor.

    So, Merry Christmas to Blumhouse and the whole gang at Freddy Fazbear’s.


    If holiday joy isn’t your thing this year, there’s always a killer animatronic waiting for you in the dark.