UNDERTONE seems the perfect tone for Friday the 13th

A new movie coming out on March 13th .. which, incidentally, is a Friday. Perfect timing .. is Undertone. It looks to be a really cool psychological horror movie about a podcast.


Undertone follows Evy, the co-host of a paranormal podcast who has built her brand on skepticism while her partner leans into belief. When Evy returns home to care for her dying mother, she begins receiving a series of mysterious audio recordings from an anonymous source. The recordings, said to be captured by a married couple experiencing strange phenomena in their home, contain unsettling sounds that defy easy explanation.


As Evy listens to each new file, the line between the recordings and her own reality begins to blur. The noises seep into her waking life, triggering paranoia, obsession, and a creeping sense that something is not just being heard… but responding. Rather than relying on gore or traditional jump scares, Undertone appears to lean heavily into atmosphere and sound design — turning audio itself into the weapon. It’s psychological horror rooted in suggestion, implication, and the terrifying power of what we can’t quite understand.


This movie looks really good. It has a great tone, a strong concept, and the potential to be something special. One of my favorite liminal horror films of the last 20 years has been Pontypool. That movie centered on a radio host during a strange outbreak, where words themselves began to unravel and reality started slipping through language. The horror wasn’t about gore or blood, it was about the ticking time bomb of strangeness inside your own brain, the kind you can’t quite process.


The trailer for this new film seems to carry a bit of that same energy .. and hopefully a lot more. The idea of a podcast serving as the framework for a modern horror story feels incredibly timely.

We’ll avoid walking under ladders and crossing paths with black cats on Friday the 13th… but we definitely won’t be avoiding this movie.

CLAYFACE movies closer to a Halloween release

‘DC is moving into the horror world at the box office with a comic book horror movie Clayface..

That movie had been set for theatrical release via Warner Bros. on September 11, 2026.

Clayface will now release in theaters on October 23, 2026.

A lot of people didn’t really even know this was being made.. The movie is being compared to David Cronenberg’s The Fly and centers on an actor who injects himself with a substance to remain relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.

And the best part of all? It is a Mike Flanagan project! He did the screen play.. Even James Gunn said that he was not changing the sreenplay and he was a Flanagan fan himself.

But why isn’t Flanagan at the helm? Being too busy..

Flanagan’s commitment to other projects, including his take on Carrie, ultimately forced him to step back just as DC Studios was ready to fast-track the movie..

Back in November 2025, SCREEN RANT talked to Flanagan.. Flanagan said he was inspired by Batman: The Animated Series, specifically the two-part episode “Feat of Clay,” featuring Ron Perlman as the voice of the tragic villain.

“No, when we first started talking about Clayface, I hadn’t seen what Matt [Reeves] was up to. So it went all the way back to ‘Feat of Clay’, that incredible two-parter with Ron Perlman voicing the character, which was so formative for me as a kid,” Flanagan told Screen Rant.

High hopes for zombie bones at the cold box office

Deadline is among those reporting that this weekend there’s expectations that 28 Years Later will unseat Avatar from the box office.

It’s a four-day weekend for Hollywood and there’s hopes that the newest zombie flick will make more than 20 million. And you know what, the movie Primates didn’t do half bad last week so maybe in these cold January weeks we still love and have that affinity for horror.

Bone Temple releases  Wednesday in the UK, France, Belgium and Indonesia, then in Australia/New Zealand, Brazil, Germany, Mexico, Italy, Netherlands and Saudi Arabia on Thursday, followed by Japan, Poland and Spain on Friday. That’s a 98% offshore footprint, except Korea and Thailand…

We finally know what disclosure day might look like

There’s been so much of a veil of secrecy surrounding this new Steven Spielberg movie that even now, with the trailer finally revealed, it still feels like we’re not getting the full story of what this film is really about. That said, we definitely know more than we did before.

And apparently, this is officially a summer event movie.

The film is titled Disclosure Day, and it stars Emily Blunt as a Kansas City TV meteorologist. She’s joined by Josh O’Connor, who plays a passionate UFO whistleblower.

Here’s the official description:

“An uncanny exploration of an alien invasion as initially experienced by a meteorologist (Emily Blunt) and a passionate UFO whistleblower (Josh O’Connor) who want to share the truth with the world all at once.”

The movie hits theaters on June 12, 2026.

The trailer is genuinely cool—we’ll link it below—and after watching it, I think it’s fair to say this could end up being the most hyped movie of 2026. That doesn’t necessarily mean it’ll be the best movie of the year…
—or, on the other hand, it could turn out to be one of the best films Steven Spielberg has ever spearheaded.

Either way, I can’t wait to see more. Because based on what we’ve seen so far, this looks really promising.

The mysterious Spielberg UFO movie

If Spielberg really cast an alien in his next movie, will SAG organize space?

Steven Spielberg is reportedly making a new movie, and if the rumors are true, it’s going to rock the world of UFO enthusiasts — or at least get their hopes way up. Of course, a lot of that could simply be marketing hype mixed with existential wish-casting. But if there’s anyone who could stir that kind of anticipation, it’s Spielberg. After all, this is the man behind Close Encounters of the Third Kind and E.T. the Extra-Terrestrial — films that didn’t just entertain people, but quietly rewired how an entire generation thinks about alien contact.

The recent UK Telegraph article describing the project leans heavily into a familiar narrative within UFO culture. One story that always resurfaces is the alleged White House screening of E.T. for Ronald Reagan. Supposedly, when the film ended, Reagan stood up and said — maybe joking, maybe not — that there were people in the room who knew that everything they had just watched was true. Whether that moment actually happened exactly as described almost doesn’t matter anymore. It’s become part of the mythology.

The new Spielberg film itself is still wrapped in secrecy, but one detail from the article jumped out at me — and I had completely forgotten this — a significant portion of it was filmed in New Jersey. That immediately brings to mind the so-called New Jersey drone sightings that dominated headlines just a year ago and then vanished entirely. Not even below the fold — just gone. But if you talk to people in New Jersey, you’ll hear that the drones never really stopped. They’re reportedly still seen regularly. They’ve just become so common that no one talks about them anymore. Like planes in the sky.

That’s part of what makes this Telegraph article so fun, and what makes this Spielberg project so intriguing. There’s even a rumor floating around — clearly conspiracy-theory territory — that a real alien might “star” in the movie. Obviously, that’s not happening. For one thing, it would probably violate every Screen Actors Guild rule imaginable, not to mention require the creation of an entirely new galactic union chapter. Unless, of course, the alien is playing itself. Or themselves. Or itself. The grammar alone would be a nightmare.

THE TELEGRAPH MOCKS:

Tinfoil hat wearers have reacted with characteristic calmness and sagacity to the news that Spielberg is returning to his sci-fi roots with his new production, filming of which was completed in the summer. It is said to have had several working titles, including The Dish and Non-View, but is now reported to be called Disclosure.

The new name, if it is correct, would provide “evidence” for the conspiracists that Spielberg knows more than he is letting on – “disclosure” being a key term for the alien truthers. They hold that the American authorities have secret information about UFOs and extraterrestrial life and want it to be publicly revealed, in a process they term “disclosure”.

Chris Ramsay, a Montreal-based magician who has a YouTube channel devoted to UFO theories, went viral with a tweet in which he most clearly set out the conspiracists’ thinking about Spielberg’s new film. Like any good conspiracy theorist, he described his thesis as something “that’s so crazy it just might be brilliant”.

Still, the idea is entertaining. And beneath the humor is a more interesting possibility: that Spielberg, over decades of filmmaking, may have become acquainted with enough people in enough rooms to suspect that something is going on. That maybe Reagan wasn’t joking. That maybe E.T. wasn’t just a children’s movie, but a soft disclosure story told in the safest way possible.

Regardless of what ultimately comes of this new film — whenever it’s released, and whatever it ends up being called — the anticipation is already enormous. The marketing machine seems primed, the speculation is growing, and expectations are high. We have little doubt the movie will be good. And even if it isn’t…

Well, it’ll still be out of this world.

(Sorry. I had to make at least one pun.)

Fnaf 2 becomes the must see anti holiday movie

Five Nights at Freddy’s Part 2 might not be a Christmas movie, but it’s absolutely the anti-Christmas movie for anyone trying to dodge holiday fluff right now.

And dodge it they did.
The fanbase showed up hard and the movie unseated Zootopia 2, pulling in around $63 million domestic and over $100 million worldwide on opening. That’s a lot more than many people expected it to do heading into the post-Thanksgiving, pre-Christmas window. This movie is hot right now in that weird in-between space where people are kind of done with turkeys but not quite ready for carols.

Domestically, that’s the second-biggest horror opening of the year for Blumhouse–Atomic Monster, after The Conjuring: Last Rites at $84 million. Yesterday’s numbers were solid too, with a drop of about 33%, which is actually better than the 39% drop the first Five Nights at Freddy’s movie took. It’s always an open question whether a film like this can keep that kind of momentum going, but at least for this weekend, it has absolutely blown past a lot of expectations—and even outpaced its own predecessor.

So, Merry Christmas to Blumhouse and the whole gang at Freddy Fazbear’s.


If holiday joy isn’t your thing this year, there’s always a killer animatronic waiting for you in the dark.

WEIRD and WICKED wins

WICKED: FOR GOOD wins at the box office.. Big.

So we are all really weirded out by Ariana Grande and Cynthia Erivo making their rounds promoting WICKED FOR GOOD..but hey, maybe weird worked!

The box office has been thankful for the oddity..

Universal Pictures‘ musical sequel “For Good” swept up a spectacular $68.6 million across Friday and preview screenings from 4,115 locations in North America. That puts it on pace for a $151.5 million opening weekend through Sunday.

It’d be the biggest release ever for a Broadway adaptation and the second-biggest ever for a Universal release, only behind “Jurassic World.”

It’s also well ahead of the $112 million haul that the first “Wicked” debuted to in the same pre-Thanksgiving frame last year. If the Cynthia Erivo and Ariana Grande film hits its current projections, it’ll rank among the biggest domestic openings of the year, currently led by “A Minecraft Movie” ($162 million) and the “Lilo & Stitch” remake ($146 million).

So … how about that!

Prayers for movies: Pope hosts Hollywood stars at Vatican and laments the fall of cinema

May God have mercy on theater chains?

Pope Leo told a group of leading Hollywood actors and filmmakers at an audience in the Vatican on Saturday that cinemas were struggling to survive and that more should be done to protect them and preserve the shared experience of watching movies..

“Cinemas are experiencing a troubling decline, with many being removed from cities and neighbourhoods,” he said.

“More than a few people are saying that the art of cinema and the cinematic experience are in danger. I urge institutions not to give up, but to cooperate in affirming the social and cultural value of this activity.”

You can read more here..

Full story…

May God continue to bless movie theaters?

Looking forward to getting stuck in the backrooms in 2026

The movie looks like it should have a great concept. until it’s released we will just enjoy Ronald Reagan being stuck in the back rooms courtesy of Tiktok

We’re really excited about the upcoming Backrooms movie, currently set for a 2026 release, even though we still don’t know too much about its development beyond the creative team involved.

20-year-old director Kane Parsons is helming one of the most anticipated analog-horror adaptations ever — has announced that work on the Director’s Cut is officially complete. That doesn’t mean the Final Cut is anywhere near done, but it’s another step toward that 2026 release window.

The Backrooms has always been something mundane and frightening at the same time, and that’s the magic of it. Honestly, I love the Backrooms so much that I’ve even fallen asleep to those endless looping YouTube videos of yellow hallways humming in the background. I know I’m not alone — a lot of us have had moments in life where a strange hallway or empty office building at night made us feel like we accidentally “noclipped” into level 0 ourselves.

If the movie captures that eerie mix of nostalgia, dread, and liminal weirdness, the concept alone is strong enough to make this a huge success. We’re hoping for a lot here.

In the meantime, I want to direct your attention to a TikTok creator named tater tot.


Whoever they are, they’ve been doing God’s work: creating Backrooms videos using AI, trapping all sorts of figures — especially Ronald Reagan — deep inside the maze. And quite frankly, a full movie of Ronald Reagan wandering the Backrooms, confused and doomed, would absolutely work for me.

2026 can’t come fast enough.

Betting on a Betty Boop bloodbath

Another character enters the public domain

Popeye, Mickey Mouse, and Winnie the Pooh aren’t alone anymore—now they’re being joined by a bloodthirsty, horrific Betty Boop.

More copyright licenses hit expiration, and Hollywood is wasting no time jumping on the trend.

Furst Class Productions is moving ahead with a new horror take on the curly-haired icon, turning her into a full-blown villain.

The story follows a group of horror podcasters who sneak into an abandoned theater, only to discover the legendary starlet herself—Boop—still lingering in the shadows and now very thirsty for blood.

Betty Boop will be played by Devanny Pinn, with Katisha Shaw, Spencer Breslin, Colton Tran, and Eva Hamilton rounding out the cast.

There’s going to be a lot of opinions on this one, especially from people who already feel like these horror remakes are the “degradation” of everything once meant for kids.

And sure—maybe there’s some truth to that. But horror fans seem to love these approaches, and a lot of these public-domain reimaginings are becoming low-budget, surprisingly profitable cult favorites.

Movies like this aren’t trying to win Oscars; they’re capitalizing on a moment in time when a famous character becomes available and blood and gore suddenly reign supreme