The first full-length trailer for new football horror movie Him is here, and it promises a bloody tale about the pursuit of fame.
“What are you willing to sacrifice?” a voice asks as the trailer begins. The movie stars Marlon Wayans plays Isaiah White, a legendary quarterback nearing retirement, while Tyriq Withers plays Cameron Cade, his promising young protégé. Cameron is a rising star on the precipice of a successful career who suffers a potentially career-ending brain trauma on the eve of the NFL Scouting Combine.
Zach Cregger is back—and getting high praise for his latest work..
His newest film Weapons hits theaters this weekend. While there are no solid box office predictions yet, the early buzz is loud and clear. As of this post, Weapons is sitting pretty at a 100% rating on Rotten Tomatoes—and that’s from 40 reviews. That’s rare.. impressive. That’s unheard of for most horror movies, and honestly, it’s incredible for any movie.
We’ve been hearing little snippets and whispers about the plot, but we’re trying to stay spoiler-free over here. What we do know is this: the movie runs over two hours, features at least one scene of gore that people are already talking about, and is packed with disturbing, unsettling moments—peppered with some dark humor, just how we like it.
This is exactly the kind of horror film that begs to be seen on the big screen. Creepy atmosphere, uncomfortable tension, and enough mystery to keep us guessing? Sign us up. So let’s dim the lights, cue up Nicole Kidman talking about heartbreak in a place like this, and fire up the AMC popcorn. Weapons is coming—and if those early reviews are any indication, we might be in for something truly unforgettable.
🚨 First look alert: Warner Bros. just dropped over a minute of footage from Weapons — and it’s already making major waves. Early reviews have the film sitting at a perfect 100% on Rotten Tomatoes, with critics calling it one of the best horror releases of the year. Now, these are early reviews, of course, as more reviews come out. That number may change a bit. But so far, the reviews are really good.
The clip? Intense. Gripping.
For a little personal touch — I showed it to my 14-year-old son, who’s usually indifferent to horror. He sat frozen, eyes locked on the screen. When it ended, he turned to me… and flipped out.
“Why would you show me that?! I’m 100% having nightmares tonight,” he said, storming off like I’d summoned the Boogeyman into our living room.
So yeah, Weapons might just be that kind of horror movie. You’ve been warned.
Two new trailers are out this week–one for a sequel and the other revealed at Comic Con in San Diego for a Stephen King short..
First the King..
Written by are StrangeDarling‘s JT Mollner, The Long Walk stars Cooper Hoffman (Licorice Pizza), Charlie Plummer (Spontaneous), Judy Greer (Jurassic World), Mark Hamill (Star Wars, The Fall of the House of Usher) The Long Walk is one of numerous novels King published under the pseudonym, Richard Bachman — a list that also includes The Running Man, which has its own adaptation coming later this year from Edgar Wright. Originally published in 1979, King cites it as the first novel he ever wrote sometime in the late 1960s, years before Carrie ever hit shelves, and was initially collected in 1985’s The Bachman Books.
Next we roll on to FNAF..
Based on Scott Cawthon’s blockbuster horror game series, Five Nights at Freddy’s 2 is again directed by acclaimed returning filmmaker Emma Tammi (The Wind, Blood Moon). The first film followed Mike, a troubled young man who reluctantly takes a job as a night security guard at an abandoned theme restaurant, Freddy Fazbear’s Pizzeria, hoping it will help him retain custody of his young sister. That fateful decision instead drags him into the black heart of a supernatural nightmare. Mike’s story continues in the upcoming sequel. One year has passed since the supernatural nightmare at Freddy Fazbear’s Pizza…
And this one what Blumhouse is basing some major hopes on..
Over the July 4th weekend, beachgoers and internet sleuths alike were buzzing as eerie images began circulating online—especially on TikTok—of a mysterious figure wandering around Santa Monica and other California beaches. The figure in question? A tall person in a long overcoat, floppy hat, and yes, a hook for a hand.
If you’re getting I Know What You Did Last Summer vibes, you’re not alone. This lookalike of the iconic slasher from the original ’90s flick has stirred up enough social media panic to rival a real crime wave. But here’s the catch (pun intended): there’s been no actual crime reported. No attacks. No missing persons. No blood-soaked sand. Just a lot of hype—and a lot of speculation.
And that speculation leads us to what seems like the most likely answer: marketing.
Sony’s remake of I Know What You Did Last Summer drops July 18th, and this beachside boogeyman feels like a viral stunt straight from the studio’s playbook. If so, well played. It worked. People are talking, videos are trending, and the hook is back in the spotlight.
But marketing stunts like this walk a fine line. They’re fun… until they’re not. In this case, no one has been hurt (as far as we know), and the buzz has only amplified awareness for a franchise that’s already been rebooted, remade, and revisited several times over.
So will this version finally hook a new generation? Or are we all just too jaded to care?
In case you wanted to forget, here are the ‘I still know I know I want to know and I didn’t know” film names thus far. Maybe it just FELT like there were more than there really were?
Let’s face it: horror movies almost never win Oscars. In fact, they’re the black sheep of the film industry—looked down on, snubbed by critics, and ignored during awards season. But here’s the twist: vampires, zombies, and masked killers might just be keeping Hollywood alive.
Let’s not forget: horror has always been the genre the so-called “serious” critics roll their eyes at. But those same critics might owe their careers—and their fancy premieres—to the very genre they dismiss. Without horror keeping theaters afloat, where would people even go to watch those “Oscar-worthy” art films?
So here’s to horror: the genre that fills seats, pays the bills, and keeps the popcorn popping.
Long live the monsters. Let the vampires bite. And may the zombies keep on rolling.
Patriotism can be a beautiful thing—but let’s be honest, it can also be scary ..
Hear me out.
When patriotism crosses the line from love-of-country into cult-like obsession—where questioning anything is seen as treason and nuance is dead—that’s when things start to get real weird. Not unlike, say, a horror movie about a murderous dead soldier in red, white, and blue..
Yes, I’m talking about Uncle Sam—that forgotten little 1996 horror flick that was equal parts goofy and unsettling, and somehow still echoes today in all the wrong ways.
The plot? A group of teenagers desecrate the grave of a Gulf War vet, and said vet doesn’t take kindly to that. He rises from the dead as a walking PSA for blind patriotism, and starts maiming anyone who isn’t waving a flag hard enough. Subtle? Not exactly.
But it was one of the first horror films to tap into the Gulf War era, instead of the well-worn Vietnam tropes.
Look, I’m not saying Uncle Sam is high cinema.
It had a budget that probably couldn’t cover a fireworks stand in rural Pennsylvania. But I am saying that the character was a ghoulish and weirdly memorable versions of Uncle Sam itself. And still sticks with me.
Proof that even low-budget horror can leave a mark.
Or a scar? Don’t even start me on JACKO!
The movie leans more toward comedic horror than psychological thriller, but watching it today, it almost feels… prophetic.
A guy in a flag hat violently enforcing “real” patriotism? Huh. Totally fiction. No modern parallels there. Nope. Nothing.
Anyway, this 4th of July, we won’t be watching Uncle Sam again—not because we’re too good for it, but because the Twilight Zone marathon is on, and nothing screams “American holiday” like existential dread and government conspiracies in black and white with Rod Serling narrating.
Or maybe we’ll queue up that episode of Stranger Things where the mayor insists on throwing a fireworks show while literal monsters are tearing the town apart. Now that feels like the true spirit of the season.
Happy Independence Day. Light the grill, question authority, and maybe… skip digging up any graves.
The event featured a mix of horror legends and lesser-known gems from the genre, giving fans everything from nostalgia to fresh blood. Unfortunately, we found out about the convention a little too late this year to help promote it properly. But trust us, we’ll be ready next year. Count on The Horror Report to shine a bigger spotlight on it in 2026.
There were some really fun guests.
In the meantime, enjoy a few snapshots from our visit including some special moments we won’t soon forget.
I had the absolute pleasure of meeting the lovely Dee Wallace, and so did my son. She couldn’t have been more gracious. She is truly an amazing soul. My son even shared with her one of his earliest memories: when he was about 5 or 6, my late father (his grandfather) was babysitting him and, right before falling asleep, put on Cujo. Let’s just say that traumatizing a child with a rabid St. Bernard was not the best idea but Dee absolutely loved the story. She admitted she was pretty traumatized by it too. Instant connection. She told us an interesting story about the multiple dogs used in the film, and how she was really bloodied during filming when glass cut her arm.
I also got to meet Robert Longstreet, known for Midnight Mass, The Midnight Club, Halloween Kills, and more. A genuinely down-to-earth guy. He was humble, kind, and a pleasure to talk with. Another great human being in the horror world. He loved Midnight Mass as much as me.. he also hopes that, if Michael Flanagan is reading, out Robert in your next project, ok!?
And last but not least of my favorites today, the great Harry Manfredini, the legendary composer behind the Friday the 13th films. What a riot. He was a laugh-a-minute, full of stories, sharp wit, and just an all-around blast to be around.
It’s nothing but praise from us here at The Horror Report for Horror on Main. Harrisburg, you hosted a great show. We will be back next time. I heard some great stories.. and after seeing the pictures, realized my 14-year-old is now taller than me…. How about that.
Fans of the zombie genre—you’ve been patient. You waited what feels like 28 years for this follow-up to Danny Boyle’s iconic 28 Days Later and 28 Weeks Later. And now, finally, 28 Years Later is here… with more controversy, bigger (literally) zombies, and a lot of very mixed feelings.
Let’s talk about the elephant—or should I say appendage—in the room. Social media lit up after the early screenings, not with praise, but with memes, gasps, and raised eyebrows. Why? Giant zombie genitals. Yep. Not exactly the cinematic moment fans were expecting.
While the critics on Rotten Tomatoes gave the film some love, the audience reviews are far less forgiving. Some say the trailer was better than the movie itself. Others questioned whether this franchise still has bite in a post-Walking Dead world, where zombie fatigue is very, very real.
Still, 28 Years Later managed to pull in $30 million over its opening weekend, which isn’t bad for horror—but it’s worth noting that it front-loaded heavy with diehards on Thursday previews, then dropped off. Compare that to How to Train Your Dragon, which took $37 million and proved that dragons (at least this week) are hotter than the undead.
Box office stats show the strongest numbers came from the East Coast, West Coast, and South Central U.S., with AMC Burbank leading the pack at $97,000 through Saturday. Demographics? 49% of the audience were men over 25, and 46% were Caucasian, followed by Latino/Hispanic (25%), Black (12%), and Asian American (10%).
There’s also chatter about the ending—some calling it bold, others calling it baffling. Either way, 28 Years Later has stirred up more discussion than devotion. And while $30 million is a solid haul, don’t be surprised if it takes a steep dive as the weeks go on.
So, was it worth the wait? That might depend on how much you like your zombies… anatomically enhanced.
